My first time seeing Brooklyn heavy psych trio the Yin Yangs remains present in my mind over a year after the fact, which is something that cannot always be said for any rising act throughout the borough. I happened to be aimlessly drinking in the back of popular Bushwick venue Palisades when it happened. The Yin Yangs took the stage with a Stan Brakhage film as their backdrop and proceeded to play with enough intensity, volume and visual stimulus to encompass the entire room. They have been a live favorite ever since.
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Comprised of bassist Dan Alex Rivera and drummer Andrew Hernandez, Twin Lords are set to release their debut album Devastating Planetary Shift 20 September on Handshake, Inc. As you can hear on the new track “Stoned Cutter”, the New York duo specializes in sludge/noise rock of the most visceral variety, but when you dig deeper into the song, you find it cuts—literally and figuratively—to the bone.
Billing themselves as “Folk&B”, ArtPeace is comprised of Grammy-nominated songwriter Taura Stinson and Los Angeles street performer Chrissy DePauw, and their debut album Free Music is set to be released on 23 October. In the meantime, though, they’ve released an eye-popping video for the track “Hi:)”, a song recorded with Ali Shaheed from A Tribe Called Quest.
If Brian Carpenter is in high demand from such artistic luminaries as Swans, Arcade Fire, Marc Ribot, Neutral Milk Hotel, and Colin Stetson, without even hearing a note of his music you immediately know the band is clearly respected. After a series of avant-garde releases Carpenter has formed a new band that plumbs the darker depths of Americana, creating an “avant-noir” sound in which you can hear faint echoes of modern-day Swans, Timber Timbre, and of course Johnny Cash, which you can hear on the new track “Savior of Love”.
Brooklyn singer-songwriter Danielle Parente is getting set to release her new album Dark Eyes on 18 September, and on the heels of the smouldering R&B of “Very Last Breath (5 Minute Stares)” she now grabs your attention with an audacious and inspired electronic cover of Chris Isaak’s classic tune “Wicked Game”. With its slow build that combines electropop and straight-up dance, it has “club hit” written all over it.