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by Adrien Begrand

17 Jun 2015


Featuring sultry singer Joanna Teters, New York eight-piece Mad Satta marry funk, soul, R&B, and jazz in a way that hearkens back to the ‘60s but still keeps its sights set forward, bringing an old-school sound into the modern era. Because it’s so organic, backed by a brilliant horn section, the temptation to call the band a throwback is there, but in actuality this music is timeless, especially when it’s done as well as on the dreamy, languid “Simpler Times”, selection from the band’s upcoming EP Break Me Free.

by Brice Ezell

17 Jun 2015


With Father’s Day coming up this Sunday, there’s no better time than the present to debut the new tune by the singer-songwriter Jackie Greene, “A Face Among the Crowd”, which PopMatters is proud to premiere. The track features on his forthcoming record Back to Birth, his first studio outing in five years. The sentiment in the title Back to Birth is reflected by the music on the album, which Greene describes as “a return to the simplicity that I started with, although,” he adds, “I feel like I have a much better idea of what I’m doing now.” The reflective, inviting quality of “A Face Among the Crowd” is more than enough proof to affirm his estimation.

by Brice Ezell

16 Jun 2015


Few bands populated high school playlists as much as the Plain White T’s did in the mid-to-late ‘00s. With the ubiquitous platinum single “Hey There Delilah” the group became an internationally recognized name, and since then they’ve put out a steady stream of LPs, including this year’s American Nights.

Below you can watch the Plain White T’s play the tune “Pause”, taken from American Nights for the At: Guitar Center webseries.

by Brice Ezell

16 Jun 2015


Following a remix of their tune “Here is the Place” by Thomas Datt, London synth-pop duo Empathy Test has had its music put in the hands of others once more, this time the Parisian dark synth-pop outfit Minuit Machine (“Midnight Machine”). That French band has taken up the task of re-inventing the Empathy Test number “Throwing Stones”, adding a distinctly M83-esque vibe to the music.

by Adrien Begrand

16 Jun 2015


If you want to attract attention in today’s pop music, which is more ephemeral and virally driven than ever before, the more enormous and attention-grabbing the hook, the better. In the case of Daisha’s percussive new single, “Hiyah, bitch!” is certainly that.

The stripped-down, pulsating track, which is cut from the same cloth as Rihanna, M.I.A., Santigold, Azealea Banks, and Kanye West’s Yeezus, is murky, confrontational, and playful, its in-your-face chorus countered by some whimsical stream-of-consciousness wordplay. And wait, is that the Florida State War Chant in there as well? Either way “Hiyah (F.O.H.)” is as catchy as all get-out, and we’re pleased to premiere it here.

//Mixed media
//Blogs

Violin Virtuoso L. Subramaniam Mesmerizes in Rare New York Performance (Photos)

// Notes from the Road

"Co-presented by the World Music Institute, the 92Y hosted a rare and mesmerizing performance from India's violin virtuoso L. Subramaniam.

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