Led by singer/clarinetist/washboard player Jess Eliot Myhre and guitarist Chris Ousley, Baltimore’s Bumper Jacksons evoke a bygone era of American music, integrating early jazz, bluegrass, blues, swing, and folk into a raucous, all-inclusive hybrid that sounds as loud and energetic as it had to have sounded decades and decades ago. Their latest album Too Big World comes out this week, and the gritty cover of the old American gospel song “Satan, Your Kingdom Must Come Down” is a great indication of what to expect.
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Seattle sludge/doom trio Serial Hawk are set to release their debut full-length Searching For Light in a couple months, and as you can hear on the nine-minute track “Desolate’, it’s the sort of relentless yet hypnotic form of heavy music in the great tradition of Neurosis. Power and contemplation melded into one colossal whole, a track that swings as much as it stomps.
After an extended stint as back-up singer on Miley Cyrus’s recent world tour, Nashville singer-songwriter Dani Elliott has kickstarted her solo career with her debut EP The Best Part. A part of the new generation of Nashville artists who venture well beyond the parameters of mainstream country while still acknowledging their heritage, Elliott’s music is contemporary and old-fashioned at the same time, which is nicely on display on the shimmering new single “Sinner”. Adorned with chillwave synths and a strong R&B influence, there’s still that rustic, Southern influence underneath it all. Featuring Elliott’s sumptuous vocal work, “Sinner” has great crossover appeal, and deserves to be heard.
Hailing from Huntington, West Virginia, the six-piece band Ona makes pure-blooded American rock and roll. Set to release their debut LP, American Fiction, via Twin Cousins Records on 25 September, “Rocks in the Basement”, the album’s lead single, picks up the path forged by The Other Side of June, the band’s 2014 two-song cassette. Named after an unincorporated West Virginia town best known for its racetrack and airfield, Ona conveys the insatiable urge to discover the larger world that resides along the east-west running Route 60.
Born in Miami, raised in Buenos Aires, and now based in New York City, Alejandro Meola first made a name for himself with four Spanish-language releases. Now with a broader audience in his sights he’s just released First Impressions, his debut English-language release. Backed by his band Robinsones, Meola’s introspective character sketches are given a well-rounded sound that melds, blues, rock, and even reggae. Stream First Impressions in its entirety below.
// Moving Pixels
"SUPERHOTLine Miami provides a perfect case study in how slow-motion affects the pace and tone of a game.READ the article