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by PopMatters Staff

14 Nov 2016


Nashville singer-songwriters Brigitte DeMeyer and Will Kimbrough have worked together for years and became best friends in the process. Now, the duo is set to release their first album as an official duo. Mockingbird Soul, releasing January 27th, is an Americana album through and through as it brings in all the great roots genres that populate Americana, including blues, country, early jazz, gospel, folk and bluegrass. DeMeyer thinks of their sound as acoustic soul and that’s a fabulous description as you can here on their new single “Rainy Day”, a genuinely soulful number that has us eagerly awaiting the album’s release.

by PopMatters Staff

14 Nov 2016


In his review of St. Lenox‘s new album, John Paul said, “St. Lenox represents that singular voice, at once very much of its time and utterly timeless in its thematic universality. Ten Hymns from My American Gothic is nothing short of a 21st century pop masterpiece.” St. Lenox (Andrew Choi) is a master of melody with an uncanny ease at crafting super catchy pop songs that never leave your head. His new single “You Don’t Call Me Anymore” exemplifies this as the jangle pop tune is utterly irresistible. For the video, Choi enlisted New York performance artist Matthew Silver who is well-known amongst the public spaces of the city. Silver injects humor into the proceedings in a way that’ll delight and make you smile in these scary and tumultuous times. Meanwhile, Choi’s music will lighten your day with its jangly upbeat tones and to-die-for hooks.

by PopMatters Staff

11 Nov 2016


London’s SAMA play a soulful form of electropop loaded to the brim with great hooks. “What Love Is All About” is the band’s latest single and it should nestle comfortably next Rudimental and Penguin Prison within your collection. “Sama” means “listening” in both Arabic and Farsi, but it also references a spiritual journey wherein one finds love and truth. We could sure use a little of both in these troubled times.

by George de Stefano

10 Nov 2016


Composed and arranged by Simon Hanes, and performed by him and his 15-piece orchestra, Tredici Bacci, Amore per Tutti is a soundtrack for an Italian movie that was never made. The 11-track album is Hanes’ homage to the film scores of the ‘60s and ‘70s, an era when composers like Ennio Morricone, Nino Rota, Bruno Nicolai, Luis Bacalov, Armando Trovajoli and many other lesser-known figures created vivid soundscapes for genre films—gialli (gory thriller and horror flicks), polizieschi (police procedurals), and the western all’italiana (better known as spaghetti westerns).  Their work often was eclectic, mixing and matching, sometimes in a single soundtrack, jazz, free jazz, bossa nova, rock, electronic music, and mariachi.

by Sarah Zupko

7 Nov 2016


Photo: Mary Keating Bruton

Texas singer-songwriter James McMurty has written a song called “Remembrance” just in time for election day tomorrow. It’s a Dylanesque folk number looking back at previous elections. This tune isn’t currently planned for an album release, but McMurtry was moved to write an election-themed song, one that encompasses elections of the past around the world, including Spain’s first democratic government, the Reagan election in 1980, as well as Thatcher in the UK. McMurty asserts in the song that “those placing faith in intelligence / Must surely be out of their minds / Out of their minds,” which echoes contemporary analyses of the 2016 contest and Bill Maher’s frequent comments that the U.S. public isn’t well-educated enough to make smart decisions about candidates.

//Mixed media
//Blogs

Here Comes the Bloom: Timothy Bloom Takes Hip-Hop to the Sock-Hop

// Sound Affects

"More sock-hop than hip-hop, soulster Timothy Bloom does a stunning '50s revamp on contemporary R&B.

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