Evanston, Illinois native and New York-based singer-songwriter Lexi Scherr excels at the kind of dynamic, bombastic, symphonic indie rock similar to Bat For Lashes and Florence & the Machine, and as you can here on her brand new single “Not the Kind” she’s well on her way to finding her own voice. In and out like a shot in two and a half minutes, it lulls you and jolts you, the chorus bursting with layers of sound.
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Nineteen-year-old singer-songwriter Kirsten Izer is the kind of young indie musician that Gen-Xers wish there were more of these days. The New Jersey native plays the kind of loud, distorted indie pop that was commonplace 20 years ago, where fuzzed-out guitars mesh impeccably with effervescent melodies.
Unlike 99 percent of Canadians, Jenny Ritter was actually raised in a log cabin, but she’s far from a Canadian cliché. Raised by artistic parents—one an opera singer, the other a ballerina—she’s gone on to pursue a career in the arts herself, namely as a folk singer-songwriter. Her new album raised By Wolves will be released on 4 September, and as you hear on the new track “Been So Kind”, she’s open to bringing in a little more of a rock influence as well, for some well-executed dynamics.
Five years after the astounding album Penelope, the latest song cycle by composer Sarah Kirkland Snider takes its inspiration from the work of writer and artist Nathaniel Bellows, depicting a childhood upbringing in Massachusetts that veers between the beautiful, haunting, and surreal, where discoveries abound. Because that’s, in reality, what it’s actually like when you’re a kid.
Semi Precious is the brainchild of Southeast London musician Guy Baron, who released a well-received self-titled debut EP last year. He’s now following that up with When We Talk, a new collaboration with acclaimed producer Matthew Herbert that aims at creating short bedroom pop vignettes that explore the dreamier, more pop-oriented side of electronic music.