Americana troubadour Mary Gauthier has released a new video from her recently released album, Trouble & Love. The song, “Oh Soul”, is wonderfully complemented by photographs from the reputed photographer Jack Spencer, which are hung on string as Gauthier plays a heartfelt lamentation on her guitar.
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With “Accidentally in Love”, the Swedish pop trio Dirty Loops has done something pretty impressive with what might otherwise have been a rote and near laughable take on ‘80’s pop. (With the right modifications, it could have been Kenny Loggins number.) The group, consisting of Jonah Nilsson (vocals/piano), Henrik Linder (bass), and Aaron Mellergårdh (drums), clearly knows just how to toy with a classic formula, in this case the ‘80’s synth-pop formula. Nilsson’s vocals, quite reminiscent of Justin Timberlake, are immediately appealing, but especially striking the instrumentation on “Accidentally in Love”. The slap n’ pop bass is a nice touch, but even more dynamic are the song’s multiple time signature changes. Just when you think it’s settled into its saccharine groove, the trio finds a way to upend the listener’s expectations.
This eminently danceable number is a standout cut from the trio’s forthcoming album, Loopified, and you can stream it below.
The most popular indie rock of recent years, from the psychedelic washes of Tame Impala to the sunny vocal harmonies of Fleet Foxes, has always found the most comfort in the warm rays of summer heat. Joining groups such as these is the San Francisco-based City Tribe, who with its latest tune, “Silver Lining”, balances melancholy subject matter with music that would find a fitting home at the sands of a beach.
The Atlanta folk-poppers that call themselves Seven Handle Circus are yet another piece of evidence that reveals just how versatile the bluegrass instrumental lineup can be. With a guitar, banjo, mandolin, fiddle, bass, and drums, the group creates harmony-centric pop that grabs the ear at first listen, all the while maintaining a rustic quality inherent to the instruments being played.
There is a certain swampiness to the rock ‘n’ roll purveyed in by the Nashville-based the Grayces. Despite the rock revival leanings that the band’s name might hint at, this trio’s closest sonic kin at the moment is the up-and-coming occult rock trend. No track is better evidence of this than the newest cut to come forth from the soon-to-be-released Westing, “Lord and Gods of Alcohol”.