Detroit’s Blaire Alise possesses the soul of a ‘60s mod popster with all of the glorious harmonies of the British Invasion melded to the sweetest melodies of Detroit pop/soul via Motown. Her latest album, My Eye, highlights the range of Blaire Alise and the Bombshells’ super catchy music, loaded with cotton candy killer melodies and harmonies that could melt the coldest of hearts. Case in point is the group’s latest single “Rolleiflex” with its instantly memorable melodic line, splendid vocals, and its perfect chorus. As the song is about memories, Alise had the video entirely shot in Super 8 video, which paints the song’s historical influences.
Latest Blog Posts
Singer-songwriter Elli Perry was something of a road warrior in years past, touring incessantly, but following her marriage failing, Perry was burned out, exhausted and needed some fresh inspiration. She wound up carrying on her roaming ways through travel and living new places, such as Costa Rica and the French countryside. It was during that peripatetic period that Perry penned the songs that comprise her new album, Little Thieves, releasing 30 March. Her new single “Smoking Gun” is a powerful song that looks at the pain of depression but meets that pain with real fight and determination to overcome the disease’s debilitating effects.
Mike Schiller: Well, a thing doesn’t always have to be subtle to be beautiful, does it? Fresh off his Grammy win and a surprise appearance in the “Album of the Year” category comes the video for the song he played at that particular ceremony. Just in case we weren’t sure of Simpson’s stance on our current president, he makes it very clear here. In the video, a child—and, one is to assume, all the purity of heart and mind that child is meant to represent—gives an iron-fisted Trump the what-for, smashes a heart-shaped hole in a tremendous wall, and rids the world of war machines. It’s comforting to see these sorts of messages come out of the heartland and at a time when Simpson’s audience is as broad as it has ever been. For its part, the song itself is as beautiful and appropriate as it could be. It’s a tale of perseverance and strength and love in 6/8 country-gospel style, complete with a few brilliant Dap-Kings horns to bring it all home. Just lovely. [9/10]
Paul Carr: One-half of Fuck Buttons returns with this taster from his forthcoming third album World Eater. On “Please”, Benjamin John Power demonstrates a lightness of touch as he manages to combine the ambiance of his early solo work with the heavier beats and more danceable rhythms of previous album Dumb Flesh. It’s a testament to his mastery of manipulating the space between notes to build a euphonious yet dizzying sound. It saunters to the edge of a cliff before dropping, chased by harder, edgier beats. Blanck Mass stops it from hitting the ground by cushioning the beats with bright, airy synths and looping, distorted vocals. Excellent. [9/10]
Lost in Stars is the nom de plume of the British-born composer, writer, and poet Dylan Willoughby who now finds his inspiration in the stars of Hollywood rather than the green gardens of England. Willoughby took some time away from music to work on an MFA and focus on his writing, but music is a passionate siren, and it can easily lure the creative soul back to its beckoning waters. Willoughby may have been classically trained, but it’s electronic music that has always been his prime inspiration and on this new song “All We Ever Wanted Was Everything” one can hear his warm musical style and fine pop sense. Partnering often with singer Kid Moxie, Willoughby again uses her ethereal and dreamy voice to great effect on his new single.