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by Jesse Fox

21 Nov 2011


Bobby Flay’s name has become synonymous with great food, and that’s not just because of his numerous signature dishes.  Through his Food Network TV shows, his books, and his various media appearances, he’s shown an out-and-out love for good food, and with Thanksgiving just around the corner, he’s ready to share some secrets with us.  In the midst of promoting the turkey-prep database known as Hellman’s Turkey Challenge, Flay got in front of the camera to talk to PopMatters about preparing theoretical Entourage dishes, and having detectives search for a “missing ingredient”, and then submitting to interviewer Jesse Fox’s “lightning round” of turkey prep questions ...

 

by Gabrielle Malcolm

21 Nov 2011


Council House Movie Star is the up-coming screen and gallery debut of Gale Force, the drag persona of contemporary dance maker, performer and writer Mark Edward. This is Edward’s collaboration with award-winning filmmaker Rosa Fong (British Film Institute New Director’s award, Arts Council Black Arts Award and as Associate Producer: Best Feature at the Outfest Fusion Festival LA 2006, 2nd Prize Audience Award at Madrid International Gay & Lesbian Film Festival 2006 for feature film Cut Sleeve Boys) and award-winner Dr Mark Fremaux.

Gale Force’s plans are to be represented in all her glory in 3D and HD. She is nothing if not up-to-date; the original inspiration (in her own words) of the North of England ‘WAG’ culture, beloved of the British tabloids. Victoria Beckham had better watch out. Council House Movie Star will be premiered in Liverpool in 2012 and after that enjoy a national tour of galleries, cinemas, clubs – any venue that will have it if truth be told! Gale ain’t fussy! She will also provide interventionist and guerrilla art pieces (she can be very high-brow!) wherever they are needed. These will be documented and then reborn in major art galleries in Liverpool and Manchester as recreations of Gale’s multi-faceted, colourful life and encounters with her public. Move aside Tracey Emin and your ‘[Unmade] Bed’ (1998)! Gale’s installation will recreate her entire bed-sit apartment (beat that!) as well as her uninsured bling and her family relationships, as a single mum on welfare – with her kids and her ‘Anti’ Christy. If you’re really lucky Gale will appear in person at the gallery.

by Timothy Gabriele

18 Nov 2011



Cooly G is really too relaxed, too Schmoov Bruv, to be peak hour dancefloor fodder. But hers is the proper pop delineation of dubstep and UK Funky, an alternative to the Katy B version of such with the edges smoothed out and syncopation depleted into standard four-to-the-floor house. Instead, think of her hits like “Love Dub” and, now, “Landscapes” (out soon on Hyberdub) as beginning of the night pieces, warm up tunes that truly make you feel warm.

by Jared Bennett

17 Nov 2011


This year finds Lovedrug reintroducing themselves to the music community. Since lead singer Michael Shepard put the group together after trying his hand at film school, the band from Nashville, Tennessee by way of Ohio, met with success in 2007 with Everything Ends Where it Starts, based on the strength of singles like “Happy Apple Poison” and Ghost By Your Side”. Their last full length project, The Sucker Punch Show includes producing credits to Michael Beinhorn (Soundgarden, Red Hot Chili Peppers, Mew). The March 2012 release of Wild Blood, however, takes Lovedrug in a new direction. In addition to being the group’s first independent full length release, a “live-to-analog-tape” recording style gives Wild Blood a truer rock sound.

For a taste of what’s to come, Lovedrug released the split single “Dinosaur/ Pink Champagne” in September 2011. Shepard and company continue injecting a home grown feel to the new material; first by using a video written and directed by Shepard himself, and now, in a PopMatters premiere, with the home footage vibe to the accompanying video for “Pink Champagne”.

by Cynthia Fuchs

17 Nov 2011


When Jessie Littledoe enrolled in MIT’s linguistics program, she was hoping to recover, or at least trace, the origins of her people’s lost language, Wampanoag. Here she met professor Ken Hale, a white man who turned out to be as invested in her aim as she was. Littledoe’s story forms the center of We Still Live Here (Âs Nutayuneân), the fascinating documentary premiering on Independent Lens 17 November. It’s a center from which multiple other stories emerge, traversing borders of time and place, communities and individuals.

The film traces the initial encounters between the Wampanoag tribes (which currently number five) and white settlers, in the area that would become Southeastern Massachusetts and Rhode Island, as well as Martha’s Vineyard and Nantucket, during the early 1600s. As Jessie and other Wampanoag individuals come together to learn, speak, and keep the language, they forge a new sense of community and also show how others can benefit from such recovery. For it’s not only the Wampanoag who learn about themselves in this ongoing process. Descendents of white settlers can also rediscover their history, as it is entwined with others, as all stories, communities, and histories are connected.

See PopMattersreview.

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