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by PopMatters Staff

3 Aug 2015


What is this? A new single that rocks? Rare as unicorn teeth, but here it is. He throws everything in: Portentous guitars, impassioned backing vocals, super orchestral splashes thrown around for kicks. Essentially it’s a track about itself and music in general, the “healing” in the song being the healing of “The Healing”. The theme saves the day because lyrically “The Healing” is not that interesting. The only thing better than a song about itself is a song where the singer references himself in a “Move over, Rover / Let Jimi take over” type manoeuvre. Word of advice for young Gary, there can never be an excess of rock. No-one has ever earnestly complained, “This song rocks too much.” So feel free to cut loose. The end of the track could have benefited from just that.—PAUL DUFFUS (8/10)

by PopMatters Staff

3 Aug 2015


Harmless mid-90s ‘alt rock’ balladeering. Picture Claire Danes staring forlornly out a window, twisting the ends of her plaid shirt between her fingers. Will Jared Leto ever see her? I mean, ‘really’ see her—for her? A tear rolls as “Skin” plays idly in the background. Except it’s 20 years later now and Claire is fighting terrorists and Jared is the Joker, so you might well ask if “Skin” is really what the world needs. Still, it jangles, it rises, it falls. Lyrically there’s a lot of talk about pain and crying and “not being satisfied”, the kind of thing that writes itself. Innocuous, unnecessary nostalgia.—PAUL DUFFUS (4/10)

by PopMatters Staff

3 Aug 2015


Ride fans listen up. L.A.‘s Late Night Friends have you covered with fresh, new, indie shoegaze heavily influenced by the cloud-laden skies of England and the swirling dance textures of modern British rock. Buzzbands.la is excited about the band, as is Daytrotter. Late Night Friends will be releasing their debut album produced by Steve Kille (Dead Meadow), What I Think I’m Not, this coming Friday, August 7th, and we’ve got the full premiere for you.  Meanwhile, the band tells us about how the record came about…

by PopMatters Staff

3 Aug 2015


The loss of a harddrive is one of those things that can’t resolve to ever sound like anything but a first world problem, but to those of us who live inside of a machine it is hella traumatic. Like when Scarlett Johansson briefly goes offline in Her, you fear that a piece of you may have just disappeared into the digital ether. So, I’ll defend Future from the inevitable jabs he’s going to get over the melancholy mood he reserves for some data storage. That said, Future’s patented flat affect and minimalist depressive hedonism has managed to stir me a total of about three times in his career and MikeWillMadeIt is responsible for all of those tracks. I honestly can’t distinguish the rest of this song from the last couple songs he’s released. I always hope to be surprised, but this is just the American hip-hop version of the mopey miserablism that defined the indie ‘90s.—TIMOTHY GABRIELE (2/10)

by PopMatters Staff

3 Aug 2015


A few weeks after removing all his music from Spotify, the always unpredictable Prince has delivered his new track “Stare” exclusively (so far) to the service. Whether “Stare” will be included on his upcoming new release The Hit & Run Album is unknown. What is known is that “Stare” is the type of blazing funk that can only come from Prince. It’s not really too far removed from what he’s done in the past – it’s a bit of a mix between “Sticky Like Glue”, “Musicology” and “Sexy Dancer”, with a nifty sample of his classic “Kiss” thrown in for good measure. It doesn’t break any new stylistic ground, but that hardly matters. The groove is smokin’ hot, with sizzling horn riffs and a bassline capable of inducing brain melt. “Stare” continues the hot streak the mercurial genius has enjoyed since the beginning of 2014 with the release of multiple standalone internet singles, and his outstanding pair of LPs Art Official Age and PlectrumElectrum.—CHRIS GERARD (8/10)

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Mr. Robot: Episode 6 -- "Br4ve-Trave1er.asf

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