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by PopMatters Staff

18 Aug 2016


Photo: Jasmine Safaeian

Chris Ingalls: Like her Tri Angle labelmates Adult Jazz, Katie Gately does a wonderful job of turning synthpop on its head by creating an atmosphere thick with interesting textures and unique arrangements, while still maintaining a pop sensibility. The exotic vibe brings to mind M.I.A., but Gately is more adventurous than that, searching (and often finding) the right mix of pop and experimentalism. [7/10]

by Cole Waterman

17 Aug 2016


Long in gestation, the full-length debut from Los Angeles-based composer/producer Johnathan Cooper’s lovelesslust is at hand. Steeped in darkwave, post-punk, industrial, and art rock, The Car Crash That Ended Her Life Came as No Surprise is a riveting, pensive work that seems to emanate from a nocturnal dimension. It lacerates in all directions, focusing ire inwardly and outwardly.

by Will Rivitz

17 Aug 2016


Vandoliers’ “Wildflower” is largely based in straightforward country music, a touch of shout-along folk-punk contouring its edges. Instrumentally, it’s a very complex song, horns trading off with strings and banjo under vocalist Joshua Fleming’s strained yell. Its instrumental complications and genre tropes fit its subject matter appropriately — it’s about the lost and broken, those from whom we’ve had to move on. It’s a dark song with a touch of brightness and hope, a tone kept consistent by the way it occasionally soars far above its gloomy guitar spine.

by Will Rivitz

17 Aug 2016


Beginners’ “Stereo”, as the title’s connotations might suggest, takes a few cues from the ‘80s. Big, watery snares are the most noticeable, with cheeky synths and schlocky strings adding to the effect. It’s very much a modern song, though — the arpeggiation, distorted bassline, and vocal chops are straight out of radio pop-house. It’s a laid-back tune as ready for blasting from a Camaro system as from Spotify, and that timelessness is a wonderful thing.

by Will Rivitz

17 Aug 2016


Photo: Henry Diltz

Paige Calico‘s “The Hard Way” is pristinely loopy Americana, a gorgeous arrangement warped just a touch by a layer of sand and dirt. Calico sings dreamily over lolling guitar and choral backdrop, a touch of chamber pop influencing the song’s hazy make. Given that it’s a song about the strength and enigmatic nature of love, its semi-lucid atmosphere fits it like a glove.

//Mixed media
//Blogs

Best of the Moving Pixels Podcast: Further Explorations of the Zero

// Moving Pixels

"We continue our discussion of the early episodes of Kentucky Route Zero by focusing on its third act.

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