Globally inspired Canadian roots ensemble the Bills has been thrilling fans for 20 years with their blend of dancey styles and now the group is set to release their latest album, Trail of Tales, on April 22nd via Borealis Records. This is the first time that all five members of the band have composed songs for an album and the music’s variety ranges from folky to poppy, from funky to jazzy. “There’s never been a Bills album with five songwriters, that’s a first in the history of the band,” says singer/guitarist Chris Frye. “Hopefully it’s bringing out the best we have to offer because we’re truly together as a unit.”
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Zmei3 is a group of Romanians whose music emanates from a mixture of traditional Romanian musical forms, including gypsy music from the region which is so integral to the overall sounds of Eastern European music. However, Zmei3 is anything but a traditional group as they tackle the realities of life in Romania post-communism in their lyrics. The group’s new album Rough Romanian Soul is a gorgeous record with passion and, indeed, soul running through it. Classically trained singer Paula Turcas is something special with her stunning voice, capable of soaring high and low with subtle inflections adding meaning and feeling to every word. Zmei3‘s Grammy-winning producer Ian Brennan says that “Turcas is poised to take her place amongst rarified vocalists like Nusrat Fateh Ali Khan, Umm Kulthum, and Yma Sumac, singers whose virtuosic gifts transcend language to such a degree that they even become symbols of an entire culture or region.”
Pryor Stroud: Touched with cinematic grandeur and lush instrumentation, “pH” is an ambient prog-rock dreamscape that is empty of words but replete with images—subliminal 8mm fantasy-projections, semi-conscious mind wanderings—that flash by in sweeps of intersecting synth nodes. Parc En Ciel, the moniker for Glasgow-based Mathieu Thomas, works in strange amalgams of highly disparate genres, including post-rock, throwback new wave, and contemporary electronica, but he still manages to engineer a coherent and discernibly well-studied sound all his own. In the end, “pH” sounds like Random Access Memories-era Daft Punk got their hands on the synthesizers and sidelined sonic material of Bowie’s Low period and, after some heavy substance use, laid down a real-time representation of their brainstorming process. [8/10]
As we mentioned back in March with the premiere of “Fire Makes”, Brooklyn indie rock band the Loom is releasing the sophomore album, Here in the Deadlights, on April 22nd via Crossbill/Stereocilia. It was a long hard road getting to this point for the band as frontman John Fanning went through an emotional storm in his personal life that had him examining everything, including his music, as he rebuilt his life. While that process was painful and difficult, it afforded Fanning the opportunity of a rebirth, something he channeled into the Loom’s new music. The Loom has always been interested in repetition and grooves, things that are the primary concern of electronic music and it’s interesting how Fanning and the Loom are able to borrow dance music aesthetic elements and make them seem completely organic to indie rock. Here in the Deadlights is the first of two records that the band has ready to release as they have found so much creative inspiration drawing from the drama inherent in every day life.
At a time when little shocks or surprises comes Rïcïnn and the track “Uma” from the forthcoming LP Lïan. There could be no better track to introduce the world to this artist’s astonishingly beautiful album, a record destined to become one of 2016’s best. As a child Rïcïnn created her own language, believing that her musical utterances possessed healing properties. Perhaps it does. Standing on the outside of this nomenclature one can only feel the power of Rïcïnn’s expression and it is never less than deeply moving.
// Channel Surfing
"The show serves up an Avengers-esque character round-up, but the plot is powerless.READ the article