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Thursday, Aug 28, 2014
The latest track from Lili Haydn, the "Jimi Hendrix of the violin", is the tantalizing opener to her latest studio record, Lililand.

George Clinton (of the Parliament Funkadelic fame) once called violinist and songwriter Lili Haydn “the Jimi Hendrix of the violin”, a compliment that’s as accurate as it is superlative. Hadyn’s skill with the bow and strings can be seen all throughout her latest outing, Lililand, which comprises 12 tracks that highlight her top-notch violin playing, honest lyricism, and musical creativity. (There’s a particularly brooding cover of Led Zeppelin‘s “Kashmir”, which takes to the violin quite well). Below you can stream “Elephant Trapeze”, Lililand‘s opening number.


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Wednesday, Aug 27, 2014
The jazzy stylings of Bee vs. Moth are imbued with a punk effervescence of the kind heard in groups like Bomb the Music Industry!

One wouldn’t be wrong in calling Bee vs. Moth a jazz group, but there’s something else at play in the Austin, Texas trio’s sonic. The group, comprised of founding members Sarah Norris (drums) and Philip Moody (bass), as well as guitarist James Fidlon, plays music that sounds a lot like jazz but has the energy of something more raw and primal.


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Tuesday, Aug 26, 2014
Tetherball's brand of catchy rock and roll is equal parts the Cars and the White Stripes.

On the surface, there’s not a whole lot to suggest that Tetherball‘s music is anything more than some pretty hook-heavy rock and roll. For Steve Voss, the man behind the Tetherball name, however, there’s a great deal of deep lyrical exploration beneath the music’s surface, saying in the press release for his latest record Whimsy, “‘Tetherball’ deals mostly with the concepts of madness and perception.” Philip K. Dick, a science fiction writer as obtuse as he is beloved, is cited as an inspiration for much of Whimsy‘s material.


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Tuesday, Aug 26, 2014
Backed only by synths, bass, and analog drum machines, HEIDEMANN lets her strong vocals soar on her debut EP.

Brooklyn-based (who isn’t these days?) musician Monika Heidemann, who records under the all-caps HEIDEMANN, peddles in emotive-synth driven music that emphasizes her voice. The instrumental backing to her music, comprised of synths, bass, and analog drum programming, is largely unobtrusive, allowing her voice to rise to the forefront and create a somewhat brooding mood. Orphan, her debut EP, forms a clear statement of intent in this regard.


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Tuesday, Aug 26, 2014
The lush, synth-driven environs of the Frail's LoveDeathLegends is perfect for fans of Hot Chip and Michael Jackson.

From a single synthesizer one can generate a seemingly endless repertoire of sounds, a fact which an equally endless amount of young bands around the world have capitalized on since the creation of that instrument. The Frail finds itself amongst this burgeoning electronic music scene, and like the genre’s luminaries, it’s a group that knows quite well how to wring a potent hook out of its synth arsenal. The trio is comprised of Daniel Lannon (vocals and synths), Israel Chavarin (bass), and Kevin Durr (synths). Their debut, LoveDeathLegend, follows two EPs, Count on This and the fittingly titled Lasers Over Lovers. LoveDeathLegend finds The Frail making a mellifluous batch of synth-driven pop tunes, enhanced in large part by Lannon’s Michael Jackson-esque vocals.


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