Los Angeles artist Mereki is set to release her new EP Lazy Eye this month, and as you can hear on the new track “Dth Buny”, it’s a searing melange of pop, noise, and garage rock.
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Earlier this summer we premiered a track from young San Francisco phenom Matt Jaffe in which I compared the youngster to Nick Lowe, and you hear that old Stiff Records sound even more vividly on the taut new rocker “Plastic Tears”. Full of tense energy and a contagious hook, Jaffe and his band tear through the track with superbly controlled intensity.
Hailing from Stockport, England but now based in London, singer/songwriter/guitarist JJ Rosa brings a very unique perspective to funk/dance pop on her debut EP Tonight, which will be released on 5 December. With nimble vocals inspired by Michael Jackson, a nasty funk groove reminiscent of Chic and Chaka Khan, and guitar work that evokes Nile Rodgers, the raucous title track is a huge statement by this talented young woman, who’s already garnered high praise from the likes of Christine McVie and Rowetta.
Parlor Walls is a “trash jazz” trio comprising of Alyse Lamb of post-punk outfit EULA, avant—saxophonist Kate Mohanty, and multi-instrumentalist Chris Mulligan, Lamb’s partner in the multi-media art collective Famous Swords. We were fortunate enough to have Parlor Walls open our CMJ showcase with a totally transformational performance. The dexterity of each member, from Mulligan’s multi-tasking drumming and keyboard tapping to Mohanty’s beautifully interwoven sax playing, as well as Lamb’s full throttle command of the stage, made for as memorable a CMJ performance as any given by better known acts on the festival’s roster.
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"Happiness of the Katakuris is one of Takashi Miike's oddest movies, and that's saying something.READ the article