Latest Blog Posts

by Cole Waterman

14 Dec 2016


Photo: Amanda Ray Photography

George Morris has a singular ability to make his stardusted songs sound both expansive and tight, indefinably anachronistic yet fresh. Listen to “100 Years”, the wisely chosen first single off his forthcoming LP, for proof.

Composed of three movements orbiting each other like celestial bodies, the tune opens with shuffling drums, evocatively plinking keys, and a subtle acoustic guitar. “All of my friends are dead”, Morris sings in his serpentine falsetto, before the 45-second mark hits and the buildup shifts down to an undulating groove in the pre-chorus. When the refrain arrives, the ebb and flow tension culminates like a torrent breaking through a dam. On reaching this catharsis, the breakneck percussion and sparkling ambiance make the cut an unabashed anthem.

by Sarah Zupko

8 Dec 2016


Best known for her experimental music with husband John Lennon, Yoko Ono discovered her love for electronic dance music nearly 16 years ago. Her latest club banger is the heady “Hell in Paradise”, a perfect dance album for the Trump era. This set of lyrics couldn’t be more on point: “When will we come to realize / We’re all stoned or pacified / While the boogie men organize / Their multilevel schemes.” Ono‘s work has always been socially conscious, and we need that in our music, even dance music, more than ever. The tremendously catchy “Hell in Paradise” has a had some remixes release already and today we bring you Camelphat’s take on the catchy, big beat tune. Camelphat’s remix is the best of the batch of remixes so far as it brings the funk and amps up the soul of the song.

by Sarah Zupko

7 Dec 2016


Photo: Greg Giannukos

Critically acclaimed American group the Band of Heathens are releasing their first studio album since 2013 this coming January 13th. Duende will be the Texas band’s fifth studio album and it adds some new sounds to their palette, including this pop-driven number, “All I’m Asking”, that we’re premiering today. Don’t be fooled into thinking Duende is all pop, though; this album shows the greatest degree of musical exploration centered around their Americana core. You’re going to hear some rockers, country twang, honky-tonk blues, New Orleans R&B, and Boogie-woogie. Ed Jurdi says, “I feel the album brings together all our influences, everything we’ve done over the years as a band. We’ve touched on every part of our career, our roots, some singer/songwriter contemplative stuff, some high-energy rock ‘n’ roll. It’s all us, the record we were supposed to make.  Ten years later, that’s what keeps us coming back.”

by Jedd Beaudoin

1 Dec 2016


Klimt 1918’s new dark shoegaze effort Sentimentale Jugend, which can be pre-ordered, arrives on December 2 from Prophecy Productions. We are pleased to premiere the track “It Was to Be” now. The track gives listeners an apt taste of the new release (featuring two separate but deeply compatible parts, Sentimentale and Jugend). The music is alternately sad and celebratory and evidence of Klimt 1918’s ability to summon the spirits of Sigur Rós, the Jesus and Mary Chain and Dead Can Dance while remaining fiercely true to its vision.

by Brice Ezell

1 Dec 2016


In the world of contemporary film music, Clint Mansell needs no introduction. Even if you haven’t heard his name, you’ve undoubtedly heard his classic “Lux Aeterna”, from the soundtrack to Darren Aronofsky‘s Requiem for a Dream. Having recently seen the long-awaited vinyl issue of his quintessential score for Aronofsky’s The Fountain, Mansell has taken on another scoring project, this one for television.

//Mixed media
//Blogs

'Fire Emblem Heroes' Is a Bad Crossover

// Moving Pixels

"Fire Emblem Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.

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