Latest Blog Posts

by Steve Horowitz

18 Oct 2017


Photo: Dan Reeder

Dan Reeder is a DIY kind of artist who is always creating something but not necessarily recording music for public consumption. He’s just released his fourth CD in 13 years, an EP as a precursor to a full-length production in 2018. The title cut “Nobody Wants to Be You” is typical Reeder fare: irreverent, strange and nonsensical. It is also heartfelt, bristly and fun. There are no hidden secret messages. What you hear is what you get.

by Jonathan Frahm

13 Oct 2017


Photo: Andrew Cebulka

The topmost appeal of Avi Jacob’s art is its honesty. Though his first memories consist of “feeling completely isolated, sad, and alone,” the Boston singer-songwriter willingly puts himself out there for his audience. The result is a warmhearted feeling attached to his overarching body of work, all set out to speak the truth, relating his melancholic life stories to others. Together, they achieve mutual healing.

by Jonathan Frahm

12 Oct 2017


Photo: Kimberly Young Sun

From a sonic perspective, Zuli’s “ohfm” first feels like sunshine and rainbows. As it opens, sweet piano melodies meet the sweeter vocals of Ryan Camenzuli, the songwriter behind the project. It transforms around the minute mark with fuller instrumentation.

by Brice Ezell

12 Oct 2017


With the four studio albums they have to their name so far, Belfast’s own And So I Watch You From Afar have perfected an instrumental playbook whose mantra requires a lot out of these musicians. Just about every one of And So I Watch You From Afar‘s songs involves the band tying itself into a series of seemingly irresolvable knots, with tricky time signatures and zip-fast guitar leads coalescing into mind-rattling figures. Yet by the end of each song, the quartet finds its way out. That is a rare act that makes a conservatory-worthy music clinic sound like an absolute blast; for a band of this caliber, it’s easy to indulge in time signatures as an end in of themselves, but these guys have figured out how to make instrumental prowess and infectious songwriting go hand in hand.

by Sarah Zupko

11 Oct 2017


Photo: Dustin Rabin

Last year when first approaching Terra Lightfoot‘s music, I said, “get ready to adore Terra Lightfoot, a roots rocker with a powerful voice and a badass Gibson SG that she plays with consummate ease. Yep, she could be your new rock ‘n’ roll hero. Drawing from rock, soul, and blues, Lightfoot is a monster talent that will be gracing the world’s largest festival stages in no time.” True to those sentiments, Lightfoot is back in 2017 with a new album New Mistakes chock full of soulful rock ‘n’ roll, mega SG riffs, and songs highlighting Lightfoot’s broad musical range. New Mistakes is Lightfoot’s most accomplished music yet, with a tracklist full of variety in tempos and moods, a carefully constructed and produced set of material that highlights Lightfoot’s rapid development as an artist.

//Mixed media
//Blogs

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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