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by Sachyn Mital

29 Aug 2016


James Chapman and Polly Scattergood (Photo credit: Cat Mook)

UK based onDeadWaves is the musical project of James Chapman (Maps) and Polly Scattergood. The duo released their debut album of dreamy rock (onDeadWaves) earlier this year on Mute. Subsequently the band found themselves with some spare time and a lot of caffeine on a late night where they recorded their take on Pink Floyd’s classic “Comfortably Numb”.

by Sarah Zupko

25 Aug 2016


On the eve of its US release tomorrow, we have the premiere of Terra Lightfoot‘s new album, the stellar Every Time My Mind Runs Wild. Back in May, we said, “Love the Alabama Shakes and Brittany Howard? Then get ready to adore Terra Lightfoot, a roots rocker with a powerful voice and a badass Gibson SG that she plays with consummate ease. Yep, she could be your new rock ‘n’ roll hero. Drawing from rock, soul and blues, Lightfoot is a monster talent that will be gracing the world’s largest festival stages in no time.”

See for yourself, as Lightfoot honors her roots music influences—Maybelle Carter, Sister Rosetta Tharpe,  Leadbelly, Sam Cooke, Otis Redding,Nina Simone and Billie Holiday—with complete mastery while remaining very much her own artist, a true original with a long career ahead of her.

by Jedd Beaudoin

25 Aug 2016


Post-rock trio Esben and the Witch will release the album Older Terrors November 4 via Season of Mist. The band has just issued the track “Sylvan” to celebrate the record’s impending arrival. With passages that range from spare and haunting to loud and frightening, the 13-minute tune serves as a perfect taste of the whole album. Vocalist Rachel Davies sings with an uncommon ease and grace, further establishing herself as one of the most remarkable voices in any genre. Drummer Daniel Copeman plays with both taste and passion, while guitarist Thomas Fischer creates intricate but subtle layers that strike the perfect balance between darkness and light.

by PopMatters Staff

24 Aug 2016


Photo: Bob Longley

Last year, we said of Liz Longley’s debut album, “Longley’s clearly ready to seize on stardom, and this album provides all the proof that’s needed.” Fast forward to 2016 and Longley is back with her sophomore effort Weightless, which is packed to the gills with instantly memorable pop rock songs, many of which could be chartbound. Longley’s songwriting is top notch, full of relatable tales of life and relationships and Weightless is the sort of Lilith Fair inspired album that speaks to Longley’s love of ‘90s music. “I grew up listening to music of the ‘90s, and this record feels more like the Sheryl Crow and Alanis Morissette in me,” Longley says. “All those powerful chick singer-songwriters I grew up loving.”

by PopMatters Staff

23 Aug 2016


William Sutton: “Bang Bang” is close to a return to form for Green Day following their disappointing trio of 2012 albums, Uno!, Dos! and Tre!. A searing pop punk number driven by thundering drums and bass, this track is, like much of their recent back catalogue, politically charged, as it addresses the prevalence of mass shootings in the US and how this interacts with an ever growing dominance of social media. Whilst “Bang Bang” is a good track and much better than most of their output since the release of American Idiot in 2004, the track struggles with the feeling that this is a band in their fourth decade and we have heard it all before and often heard it done better. Nonetheless it is a welcome return from the band and provides positive signs ahead of the release of Revolution Rock in October. [7/10]

//Mixed media
//Blogs

Best of the Moving Pixels Podcast: Further Explorations of the Zero

// Moving Pixels

"We continue our discussion of the early episodes of Kentucky Route Zero by focusing on its third act.

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