Brooklyn’s the Fluids will release their debut album No Kidding! on 27 October but have a brand new single, “New Land Sale”, out now. Laced with early post-punk’s noisy fury, frenetic, bludgeoning guitars and drums that hit harder than a thousand heavy metal albums falling from a skyscraper, the song encapsulates the panic and predicaments of contemporary life with Beat-inspired urgency. Its simple but forceful statement burns an indelible mark into the ears and minds of listeners with the wisdom and audacity of youth.
Latest Blog Posts
Wisconsin doesn’t offer up its secrets easily. Sure, there are the urban stretches: Milwaukee, Madison, the well-paved terrain of Green Bay but there are those quiet, wooded areas, too. The tree-lined rural highways of Marinette County, the curving, narrow roads of Walworth, Dane County’s haunting beauty. There are all those blink-and-you-miss-it stops that dot the state end to end. Those are the mysterious spaces the brothers Max and Mitchel Bell found themselves after tuning in, turning on and dropping out of Chicago and Milwaukee.
With its barrage of influences, Americana can take many forms. Gasoline Lollipops exemplify this as the Denver-based band combines the unlikely forces of folk and punk into a singular sound.
That sound has brought them wide recognition throughout Colorado and the southwest following the release of their debut album, Resurrection, earlier this year. Already, they’re gearing up for their first vinyl release on 16 December for their latest single, “Soul Mine”.
We’ve all been there. The weirdo who can’t get with the beat, the vibe, the joy at that critical moment. Maybe we’re the straight edge friend, the odd man/woman out during a night on the town when everyone’s bacchanal tendencies stretch to the max. That familiarity moment/feeling is at the core of Alexis Babini’s “Everybody’s Drunk But Me”.
Dan Reeder is a DIY kind of artist who is always creating something but not necessarily recording music for public consumption. He’s just released his fourth CD in 13 years, an EP as a precursor to a full-length production in 2018. The title cut “Nobody Wants to Be You” is typical Reeder fare: irreverent, strange and nonsensical. It is also heartfelt, bristly and fun. There are no hidden secret messages. What you hear is what you get.