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Tuesday, Mar 31, 2015
With Ephemeral, the Minneapolis group Umami has concocted a mad scientist's stew of synth-pop, dance rock, and a smattering of other sounds.

Ephemeral is a fitting title for the new album by the Minneapolis outfit Umami. Although identifiable pop song structures are featured throughout the LP, the smorgasbord of sounds that Umami brings to the table constantly keep the listener on edge. One idea will suddenly give way to something else entirely without a moment’s notice, foregrounding a psychedelic, more free-form take on synth and electro-pop. Yet for all of the ephemeral moments throughout this Ephemeral LP, there’s a clear core to the songwriting. Contrast is one of the main constants that keeps the experimentation fresh throughout: see the juxtaposition of sharp buzzsaw synths and airy, reverb-laden vocals on “Living in a Nightmare”.


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Monday, Mar 30, 2015
"Half a Chance" finds the Cuban-Canadian singer/songwriter Alex Cuba joining his smooth brand of songwriting with that of legendary troubadour Ron Sexsmith.

The bilingual, acoustic guitar-led “Half a Chance” is one of the standout cuts from Healer, the new LP by Alex Cuba, the self-described “Spider Man of Latin music”. Like the rest of the album, “Half a Chance” represents the two different perspectives from which Cuba approaches his songwriting: as a Cuban-born immigrant to Canada, his music reflects where he’s been and where he’s come from. Cuban and Latin influences are prevalent in his music, but so too are pop and singer/songwriter tropes from North America. For “Half a Chance”, Cuba is joined by fellow Canadian Ron Sexsmith, who provides some nice harmony vocals in the chorus.


Tagged as: canada, cuba, latin music
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Friday, Mar 27, 2015
The Chicago prog jam outfit Umphrey's McGee were given 12 hours in the legendary Abbey Road studios. The funky and groovy "Bad Friday" is one of the results of that fruitful time in the studio.

At the start of April, the Chicago progressive rock band Umphrey’s McGee will release The London Session. Normally, when session albums are released, their title is in the plural: The Abbey Road Sessions, for instance. However, in Umphrey’s McGee’s case, the singular case is quite deliberate. These reputable prog-jammers had but 12 hours in Abbey Road, meaning that they had to make the absolute most out of a limited timeframe. Save for the vocal tracks, which had to wait until the band’s return to the states (“They are exceptional and efficient, but they are merely mortal after all,” says the album’s press release), these guys recorded a whole LP’s worth of music in those 12 hours. The London Session marks the ninth Umphrey’s McGee studio outing, and it finds these nimble jam-ready musicians playing as sharply as they’ve ever been.


Below you can stream “Bad Friday”, the first song to be released from The London Session.


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Thursday, Mar 26, 2015
"Lifted Up (1985)" is right and ready to color your next dance party, with a jubilant chorus that's ripe for belting along.




Kindred is out on 21 April via Columbia.


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Thursday, Mar 26, 2015
Those still recovering from the bitter winter months, particularly in America's Northeast region, will find much to relate to in Colorway's ode to summertime, "Come Back July".

As countless weather reports and Buzzfeed listicles can attest, the Northeast region of America had a tough winter this year. No better time, then, for the new tune by the Northampton, Massachusetts band Colorway, called “Come Back July”. Written between 9PM 31 July and midnight 1 August of 2014, this simple yet catchy rock number is an honest plea for a time where one doesn’t have to take a Himalayan trek to get outside of one’s own home. For lead vocalist, guitarist, and songwriter F. Alex Johnson, this is “the time of the year when my little slice of the world feels the most alive—before it leaves us all for another twelve months.”


“Come Back July” is featured on Colorway’s upcoming studio LP, The Black Sky Sequined.


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