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by Adrien Begrand

22 Oct 2015

Photo by
Adam Garland

In the wake of a lineup change that saw three of six members leave in 2014, Fort Wayne, Indiana band James and the Drifters have been reborn, and will release the new EP Get the Spirit on 20 November. Engineered by Ben Tanner of Alabama Shakes and recorded at the legendary FAME studios, the guys dig deep into 1960s soul on the new record, which you hear immediately on the beautiful title track.

by PopMatters Staff

21 Oct 2015


Kevin Korber: Rabit kicked the doors down with “Pandemic,” so it’s inevitable that “Snow Leopard” would sound a bit softer in comparison. Not by much, though; this gets as harsh as grime can get, but the aggression is contemplated. The percussion is measured for effect, arriving at its loudest when Rabit knows it’ll have the most impact. Everything on “Snow Leopard” is deliberate, like a great cat stalking its prey in the woods. Just as with any predator, it’s gone before you realize, and you’re left in a completely different state from where you began. [8/10]

by PopMatters Staff

20 Oct 2015


Dustin Ragucos: It’s strange to say, but introducing a track in a fashion akin to an assembly line kind of turns me on—if the song doesn’t mechanically tread with that riffing for its entire runtime, that is. And tread it doesn’t. It also fails to capture a spark of interest apart from its beginning. “Hour” is mediocre at its worst moments and barely fair in its best harmonies. [5/10]

by Adrien Begrand

20 Oct 2015


Comprised of singer-songwriter Anthony Newes (formerly of Villa) and producer/programmer Brendan Kelly (known in hip-hop circles as BK-One) Bones & Beeker offer a comfy combination of indie folk music and hip-hop production. What might seem like disparate sounds are meshed beautifully by the Minneapolis duo, something you can hear on the quietly beautiful “Oh Lord”.

by Adrien Begrand

20 Oct 2015


After fronting the band Joe Buck Jr. for a decade, Rob Williams has set off on his own as a solo artist, and his new album Southern FMwill be released on 14 December. As you can tell by the minimal acoustic arrangement of “Sometimes It’s a Song”, he’s stepped into the role as singer-songwriter-troubadour comfortably, as the song’s laid-back lonesome romanticism is too sweet to dislike.

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NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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