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by Adrien Begrand

3 Aug 2015


It’s not every day you get a new song that fades out anymore, but it’s rarer to get one that fades in as well as out. It’s a dying trend, but one that ASG singer/guitarist Jason Shi and Thunderlip drummer Johnny Collins decided to exploit on “Lions”, a fantastic new track by their collaboration Wildlights. It’s a bit of a delayed start as a result, but when it gets going it’s a swift, groovy blast of sunny skate punk and hazy desert rock.

by PopMatters Staff

31 Jul 2015


Where did this spryness come from? As it is with all the pioneers of the Dunedin scene, you expect them to mellow out once they reach a certain age. But the Chills return in full form after close to 20 years with a propulsive confidence that gives an eye wink to their reverb-soaked contemporaries. Not that it’s a complete surprise—Martin Phillips has always had it in him to remold the Chills, and after sprinkling a few tracks here and there in the past few years it seems he’s finally concocted a formula that works. It’s a succinct rock song that curiously reminded of a less bombastic British Sea Power, which isn’t a bad thing, really. It’s also idiosyncratic enough to distinguish it as a Chills track, and that’s reason enough to believe that “America Says Hello” is a welcome return to the full-length album format.—JUAN EDGARDO RODRIGUEZ (8/10)

by Adrien Begrand

31 Jul 2015

Photo by
Caroline Harrison

The band might be led by its namesake, Brooklyn musician Chuck Stern, but anyone familiar with the underground/experimental/heavy music coming from the borough will see Stern as a supergroup. Partnering with Keith Abrams of Kayo Dot, Toby Driver of Kayo Dot and Vaura, and kayo Dot/Candiria collaborator Tim Byrnes, Stern has created a surreal hybrid of gothic rock, DC post-hardcore, progressive rock, and post-metal, with a strong Faith No More influence tossed in, and the end result is the extraordinary new album Bone Turquoise. If you want a good indication of how surreal and enthralling it is, you can’t do much better than “Your Level Best”, a weirdly gloomy track that slogs along like a dirge sung by a lunatic. Trust us on that one.

by Adrien Begrand

31 Jul 2015


How the Sweeplings came to be is unusual, but in keeping with contemporary culture. Singer-songwriter Whitney Dean was watching America’s Got Talent at home in Huntsville, Alabama, and was entranced by the vocal talent of finalist and Spokeane, Washington resident Cami Bradley. At his wife’s urging he flew out to meet Bradley in Spokane, the musicians clicked, and the end result is Rise and Fall, a combination of Americana grit and Southern soul, brought forth by Bradley’s dulcet voice.

by PopMatters Staff

31 Jul 2015


Matt James: If 2010’s glitzy All You Need Is Now was a time travellin’ Rio successor, Duran are now seemingly redialing their DeLoreans towards 1986’s Notorious. A ‘Get the funk out’ rumpshaker with Co-Pilot Nile “Goldfinger” Rodgers (back! Back! BACK!) again sprinkling a soupçon of Chic magnifique. Le Bon struts around hollering about “The Future!” with such fizzy abandon you suspect it was recorded the day Duran signed their new swanky ‘Daddy Warbucks - Champagne Breakfast - Enormodomes ‘Ere We Come’ deal with Warner Bros. Sure it’s all a bit daft, slightly “Duran dumbed down” for “The Kidz” but we’re promised forthcoming album Paper Gods will honour their “Dark, weird experimental side” so it’s worth sticking around. Le Bon’s got rid of his dodgy Captain Birdseye beard too which is a bonus. [6/10]

//Mixed media
//Blogs

Indie Horror Month 2016: Diving into 'Reveal the Deep'

// Moving Pixels

"In Reveal the Deep, the light only makes you more aware of the darkness

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