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by PopMatters Staff

4 Aug 2015


It has an inventive build-up, with its DIY quality and dazzling timbres making it consistently mysterious and engaging. Vocally and melodically, Beal evokes his soulful forefathers, which, when done right, is more difficult than it seems. It reminds me a bit of certain tracks from Plastic Beach by Gorillaz, actually. It’s a bit too sparse, though, since Beal’s voice deserves a more luscious arrangement. The contrast between his robust delivery and the limited composition is part of the intrigue, though, so yeah, I’m a bit torn on this one.—JORDAN BLUM (7/10)

by Adrien Begrand

4 Aug 2015


With a sound that is reminiscent of both Alex Chilton and the cheekier side of UK powerpop, Rhode Island artist Andy Lampert is not lacking in wry humor. First, he named his 15-song debut album 10 Songs of Pain (does it have five happy songs?), and even better, he comes up with a dandy of a chorusing his track “Even I Can Dream”, singing measuredly, “I am trying not to lose my friggin’ mind.” It’s a wonderful expression of modern despair that we all can relate to.

by PopMatters Staff

3 Aug 2015


What is this? A new single that rocks? Rare as unicorn teeth, but here it is. He throws everything in: Portentous guitars, impassioned backing vocals, super orchestral splashes thrown around for kicks. Essentially it’s a track about itself and music in general, the “healing” in the song being the healing of “The Healing”. The theme saves the day because lyrically “The Healing” is not that interesting. The only thing better than a song about itself is a song where the singer references himself in a “Move over, Rover / Let Jimi take over” type manoeuvre. Word of advice for young Gary, there can never be an excess of rock. No-one has ever earnestly complained, “This song rocks too much.” So feel free to cut loose. The end of the track could have benefited from just that.—PAUL DUFFUS (8/10)

by PopMatters Staff

3 Aug 2015


Harmless mid-90s ‘alt rock’ balladeering. Picture Claire Danes staring forlornly out a window, twisting the ends of her plaid shirt between her fingers. Will Jared Leto ever see her? I mean, ‘really’ see her—for her? A tear rolls as “Skin” plays idly in the background. Except it’s 20 years later now and Claire is fighting terrorists and Jared is the Joker, so you might well ask if “Skin” is really what the world needs. Still, it jangles, it rises, it falls. Lyrically there’s a lot of talk about pain and crying and “not being satisfied”, the kind of thing that writes itself. Innocuous, unnecessary nostalgia.—PAUL DUFFUS (4/10)

by PopMatters Staff

3 Aug 2015


Ride fans listen up. L.A.‘s Late Night Friends have you covered with fresh, new, indie shoegaze heavily influenced by the cloud-laden skies of England and the swirling dance textures of modern British rock. Buzzbands.la is excited about the band, as is Daytrotter. Late Night Friends will be releasing their debut album produced by Steve Kille (Dead Meadow), What I Think I’m Not, this coming Friday, August 7th, and we’ve got the full premiere for you.  Meanwhile, the band tells us about how the record came about…

//Mixed media
//Blogs

Emerging from My Hiatus from Big Budget Games

// Moving Pixels

"I'd gotten burned out on scope and maybe on spectacle in video games, but I think it's time to return to bigger worlds to conquer.

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