Latest Blog Posts

by Adrien Begrand

15 Jul 2015


As Craig Hayes so eloquently wrote for PopMatters a couple years ago, the influence of Lycia on not only darkwave but gothic, industrial, and doom music cannot be understated. Now the Arizona band is back with A Line That Connects, their tenth album overall and second for the outstanding Handmade Birds label. “Blue” is an easy standout from the new record, a sumptuous journey into the darkness with Tara Vanflower providing the siren’s song to guide you through.

by Adrien Begrand

15 Jul 2015


With Tove Lo making waves in North America and Tove Styrke on the cusp of achieving the same thing, things are looking bright for Swedish pop music, whose quality is almost always above average. Singer Mizgin is making a bid to be the next great Swedish pop export, and if there’s one thing she has going for herself it’s that she sidesteps the usual indie “poptimist”-pandering fare for flat-out, bombast reminiscent of Rihanna and Beyonce. She’s already topped the Swedish charts with “Get You Off”, and the anthemic “If I Said I’m in Love (Suicide)” aims to continue that momentum.

by Adrien Begrand

15 Jul 2015


Today London electro pop band Kármán Line are releasing their new EP In Autumn, whose single “Tell Me What I Want to Know” is a very good indication of what to expect. A propulsive dance track whose house beats transport listeners back to the 1990s, it’s shamelessly upbeat in tone, which typically masks the longing in the lyrics.

by Adrien Begrand

14 Jul 2015


Taut, loud, and extremely energetic, San Francisco’s Jet Trash is everything you want from a young rock ‘n’ roll band. Part garage rock, part post-punk, it’s as if the Count Five and Gang of Four were involved in an unholy commingling, and Jet Trash’s raucous debut EP will have you pogoing in no time. Here’s a DIY indie rock band that remembers how to actually rock, which these days is a breath of fresh air.

by Adrien Begrand

14 Jul 2015


Anton Fig has had as cool a musical career as you can imagine. A session drummer extraordinaire, he played on the best KISS solo album, and provided the beat to one of the best singles of the disco/rock crossover era. A member of David Letterman’s house band since 1986, he’s played with every upper-tier musician imaginable, and even ate a canary on television. No, not a real canary, but it was comedy gold.

//Mixed media
//Blogs

Anticipation and Expectation in Game Marketing: The Art of “Anti-Hype”

// Moving Pixels

"Watch the trailer for No Man's Sky and then for Frostpunk. There is a clear difference in the kind of expectations each creates in its audience.

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