The Tuscon, Arizona collective called Run Boy Run is a real family affair. Comprised of brother sister Matt Rolland (fiddle, guitar) and Grace Rolland (cello, vocals), sisters Bekah Sandoval Rolland (fiddle, vocals) and Jen Sandoval (mandolin, vocals), and Jesse Allen (bass), the band’s take on the classic bluegrass instrumental lineup is a delicate and tender thing. The group’s latest album, Something to Someone, is perfectly positioned for its end of October release, as the mood evoked by the music is spot-on for the autumn season.
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The brotherly duo England in 1819, comprised of Andrew and Dan Callaway, have taken an interesting path to crafting its brand of electro-infused indie rock. The brothers Callaway played in rock bands at a young age while they lived overseas in the hills of the English countryside. Upon moving back to the states, they both spent time in conservatories, studying composition (Andrew) and french horn (Dan). Now, the duo purveys in a variety of indie rock that’s primarily electronic in its instrumentation. Summer Lighting EP, the duo’s latest release, is a further expansion of its sound, particularly with a noticeable incorporation of ‘80s influences.
Still exploring the ambits of hip-hop grooves and jazzy sonics, Turkish rapper and beatmaker Da Poet adds yet another album of instrumentals to his repertoire of work. Last year’s instrumentals collection, Beattape, dipped into artfully lush chill-out and marked the artist’s crossover success, gaining attention overseas with hip-hop and downtempo aficionados. The rapper’s latest is mainly a collection of instrumentals from his 2011 album, Poetika, which was a sizeable hit in Turkey’s underground hip-hop scene. Stripped bare of Da Poet’s earnest and fluid raps, all emphasis is placed on the rapper’s most overlooked skill: his ability to create haunting and evocative melodies.
The long-running alt rock group Cracker has taken on a bold task with its latest LP, Berkeley to Bakersfield. As its title suggests, it’s a California-centric musical journey that spans the hip Bay Area to the desert environs of the Central Valley. The record, a two-disc affair, captures each area with a particular style: the former with a “punk” and “garage” oriented rock with “funky undertones”, the latter with a twangy country style reminiscent of the famed Bakersfield sound. Below you can stream “Waited My Whole Life”, a tune from the Berkeley portion of the journey.
Marta Argenio (aka Silty) and Mo Stellato go by the name the Actions when performing music, which they have been doing a lot of lately. Coming fresh off of a series of shows with Green Day in Europe, the duo is gearing up for its latest single, “The Echo”, which will be released during the throes of the holiday season. “The Echo”, driven by an insistent bassline that’s placed front and center in the mix, is a somewhat brooding tune. Silty’s distorted vocals sound especially unsettling juxtaposed to the minor chords played by the guitar, which has a jazzy tone to it.