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by Adrien Begrand

26 Aug 2015


With its Can-derived krautrock groove, wicked stoner rock guitar riff, slight hint of funk, and washes of keyboards weirdly similar to chillwave, Montreal band Wizaard shows one and all on their new single “Mountain of the Underground” that there’s no limit to what they’ll try. Besides, with a combination like that, how can you not dig it?

by Adrien Begrand

25 Aug 2015


A mix of pop, folk, and a twee, very English interpretation of country music, London trio Honey Ryder have a couple top 40 UK singles under their belts as well as several British Country Music Award nominations (yes, there is a British Country Music Awards). However after collaborating with several top writers in Nashville and recording with producer Paul Worley (Dixie Chicks, Lady Antebellum) they have their sights set on becoming that extremely rare British country act to crack the US market.

by Adrien Begrand

25 Aug 2015


Hailing from Upstate New York, Winston Dunlop and Michael Diaz met in the fifth grade, bonded over their love of Animal Collective and Joy Division, started to make music, eventually discovering early King Crimson on the way to writing and recording their debut full-length album. So their bio says, anyway.

by Adrien Begrand

25 Aug 2015


Portland’s the Lonesome Billies incorporate classic country and Southwestern themes much like the Sadies and Calexico, and you can hear it immediately on “1922”, a selection from their upcoming debut album It’s Good to Be Lonesome.

by PopMatters Staff

24 Aug 2015


Timothy Gabriele: Say what you will about Wham’s “Freedom” and its partial response, George Michael’s “Freedom ‘90”, but both could have only arose as a result of their time. The former, a series of bright stomping synth chords arguing against a woman’s autonomy that they somehow fashioned into a music video crying for democracy to break loose in Communist China (sadly it didn’t work, but it can be argued that China did instead “Make It Big”). The latter, a series of house vamps and slinky R&B riffs whose lyrics seem to be a rejection of music’s reliance on image that Michael somehow fashioned into an iconographic music video full of naked supermodels lip-synching the tune. !!!’s “Freedom! ‘15” could have come about from any number of recent eras. The thing that distinguishes it the most from straight-up West End/late era Prelude disco is some raw distortion. Perhaps the video’s silly but fun combo of web 1.0 and mobile ’15 technology is an attempt to rectify that.

//Mixed media
//Blogs

Treasuring Memories of Paul McCartney on 'One on One' Tour

// Notes from the Road

"McCartney welcomed Bruce Springsteen and Steven Van Zandt out for a song at Madison Square Garden.

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