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by William Carl Ferleman

26 Sep 2012


William Shakespeare’s historic Globe Theatre will produce three celebrated dramas, and two of which are Shakespeare’s own, both comedies: All’s Well That Ends Well and Much Ado About Nothing. Christopher Marlowe’s grand tragedy Doctor Faustus also will be produced. The point: these three productions will be shown in cinemas across the UK, US, Australia, and New Zealand. Of All’s Well That Ends Well in particular, scholar Marjorie Garber states: “Yet it contains not one but two roles that would make an actress’s career (and have). Both Helena and the Countess are brilliant, complicated, strong women who, finding themselves in impossible situations, emerge not only whole but triumphant.”

by Thomas Britt

29 Feb 2012


An Appointment with The Wicker Man

The biggest news to emerge from a recent Empire web chat with Nicolas Cage is that Cage has not given up on The Wicker Man. The actor starred in Neil LaBute’s 2006 remake of Robin Hardy’s classic 1973 horror film, and the result was an endlessly rewarding misfire, earning the film cult status and generating wildly popular Internet memes.

The Wicker Man (2006) Trailer:

by Gabrielle Malcolm

21 Nov 2011


Council House Movie Star is the up-coming screen and gallery debut of Gale Force, the drag persona of contemporary dance maker, performer and writer Mark Edward. This is Edward’s collaboration with award-winning filmmaker Rosa Fong (British Film Institute New Director’s award, Arts Council Black Arts Award and as Associate Producer: Best Feature at the Outfest Fusion Festival LA 2006, 2nd Prize Audience Award at Madrid International Gay & Lesbian Film Festival 2006 for feature film Cut Sleeve Boys) and award-winner Dr Mark Fremaux.

Gale Force’s plans are to be represented in all her glory in 3D and HD. She is nothing if not up-to-date; the original inspiration (in her own words) of the North of England ‘WAG’ culture, beloved of the British tabloids. Victoria Beckham had better watch out. Council House Movie Star will be premiered in Liverpool in 2012 and after that enjoy a national tour of galleries, cinemas, clubs – any venue that will have it if truth be told! Gale ain’t fussy! She will also provide interventionist and guerrilla art pieces (she can be very high-brow!) wherever they are needed. These will be documented and then reborn in major art galleries in Liverpool and Manchester as recreations of Gale’s multi-faceted, colourful life and encounters with her public. Move aside Tracey Emin and your ‘[Unmade] Bed’ (1998)! Gale’s installation will recreate her entire bed-sit apartment (beat that!) as well as her uninsured bling and her family relationships, as a single mum on welfare – with her kids and her ‘Anti’ Christy. If you’re really lucky Gale will appear in person at the gallery.

by William Carl Ferleman

10 Oct 2011


Marilyn Manson gave a poetry reading in L.A., in support of The J. Paul Getty Trust. On 10 September, Manson read William Blake’s celebrated poem The Proverbs of Hell. The poem’s most popular line: “The road of excess leads to the palace of wisdom.” But the best part is Manson’s decision to have a drink of some strange orange liquid at the poem’s conclusion. Fitting.

by Evan Sawdey

5 Apr 2011


The title—Too Much Light Makes the Baby Go Blind—is kind of wacky.  The content, however, is downright unpredictable.

Greg Allen crafted “Neo-Futurism” after spending much time studying the Italian Futurists while at Oberlin College, eventually bringing Too Much Light to Chicago in December of 1988.  Since then, this show—wherein 30 plays are performed within one hour, the plays themselves changing on a weekly basis—has not only become the longest running show in Chicago, but has also spawned a branch out in New York as well.  Between his work with the Neos, Allen has also written and directed plays all around the country, often to great acclaim.

Here, in this exclusive interview with PopMatters, Allen sits down with us to discuss the Neo-Futurist aesthetic, responds to the charge that Too Much Light is “short attention span theatre”, and attempts to turn a table upside down with only the help of audience applause ...

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