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by Tish Wells / McClatchy Washington Bureau (MCT)

3 Nov 2014


In BBC America’s six-episode series The Game (Wednesday, 10 p.m. ET), the gray days of the Cold War, the fear of possible nuclear elimination by the Soviet Union is alive and well in the UK, and MI-5, the domestic counter-intelligence agency, is tasked with preventing it.

The Super Bowl is often the highest-rated event on television, and part of the reason why so many tune in to see it is the new commercials. Advertisers spent an estimated $4.5 Million for their thirty seconds of airtime, and many of them tried to surprise us, be inspiring, or just make us laugh. 

While it was far from being the best Super Bowl ever, this year’s crop of ads can best be divided into certain themes. Here is PopMatters’ guide to great moments, big laughs, and some completely overblown time-wasters.

Last week, the last of the Nixon white House tapes were made available online. These remind us of a few things concerning the president, including his paranoia, his vulnerability, and his conscious efforts to cover up the Watergate scandal. They don’t quite show other, more elusive aspects of this complicated figure, however, and for that you might turn to the excellent documentary Our Nixon, opening in select theaters on 30 August.

Around midnight on July 16, DreamWorks released the first trailer for The Fifth Estate, the Bill Condon-directed film about Julian Assange and WikiLeaks based on Daniel Domscheit-Berg’s book, Inside WikiLeaks:  My Time with Julian Assange at the World’s Most Dangerous Website. Already the film has generated controversy, with Assange protesting the portrayal, and even people posting reactions to the new trailer on social media added nearly as many comments about the political pros and cons of WikiLeaks as about the trailer’s style or content.

“That’s the beauty of this system,” public defender Travis Williams tells a jury in Clayton County, Georgia. “It’s set up to give people the presumption of innocence, to give them the opportunity to not only be heard, but to hold the state accountable.” As Williams completes his impassioned summation for his young, lean, awkwardly suited client during the first moments of Gideon’s Army, he underlines that though the state “has the gall to say this is not a big case,” in fact, it has “huge consequences,” namely, that “This boy will become a convicted felon.”

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'Herald' Attempts the Troubled Waters of the Colonial Narrative

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"The “colonialism” at play is not between nations, rather it seems more interested in how it influences a man recently come of age.

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