Two scenes introduce the doubled focus of Five Broken Cameras. First, the population of Bil’in’s collective efforts to resist a coming Israeli settlement, and second, the filmmaker Emad Burnat’s efforts to make sense of the resulting chaos. “I was born and lived all my life in Bil’in,” he says. He used to work alongside his father picking olives, but more and more, the land where the olive trees grow is being claimed by Israelis. As his future changes before him, Emad also thinks about his past, his father and his four sons. The youngest is born in 2005, just as Emad begins recording events in earnest). The “land of my childhood and his birth,” Emad observes, will never be the same.