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by Jessy Krupa

2 Jul 2013


Johnny Depp and Armie Hammer in The Lone Ranger (2013)

July is a big month in the music world, as so many major releases are hitting the shelves that discussing them warrants a separate PopMatters article. See: Listening Ahead: Upcoming Music Releases for July 2013

But the next 31 days also feature some TV debuts, big box office hits, and America’s most patriotic holiday. So get comfortable. Open a cold one, and enjoy July’s offerings.

by Cynthia Fuchs

24 Jun 2013


At work, Isaiah Owens splits his time between tending to the living and the dead. As tells his story in Christine Turner’s terrific documentary Homegoings, this funeral director—who knew what he wanted to be since he was a boy—brings you along, the camera close as he shares memories with survivors, helps them make arrangements, and then takes care of their loved ones, tenderly and compassionately. Bent over a corpse, his figure obscures your view. He wears blue medical gloves, as he injects “liquid tissue,” which he describes as “probably a first cousin to Botox,” one of many literal and metaphorical connections he draws between living and dead bodies. This lady is 98 years old, he observes, adding, “I’m going to need some Crazy Glue.” Later scenes of Isaiah at work show more, a face being made up, fingers being arranged, watery-red fluid swirling beneath a body toward a drain.

by Cynthia Fuchs

19 Jun 2013


“Salim used to tell me, “Shikha, there’s a place I go, where they teach art and stuff. Like puppets you make dance on a string.’” Remembering when she first heard of the school inside the brickfield, Shikha Patra slows down and glances up. “So I asked him,” she goes on, “‘Where is that?’” The little girl is remembering an early encounter with a student at Prayasam, a child-driven community organization located in the slums of Kolkata. Her surprise and curiosity soon give way to belief, when Shikha begins working with Amlan Ganguly, the community’s founder and primary counselor and teacher. As you come to see in Revolutionary Optimists, Maren R. Monsen and Nicole Newnham’s remarkable documentary premiering on PBS this month as part of Independent Lens, Ganguly brought to his project in 1996 passion and commitment, a determination to help the kids find their way out of poverty and into futures with hope, grounded in creativity and love and hard work. As impossible as this may seem at times, even when his students are forced into emotional difficulties, arranged marriages or hard labor to support their families, he persists. This is the extraordinary balance the film manages, celebrating the efforts at Prayasam and the successes, while never losing sight of the crises that define daily life for the kids growing up in the Kolkata slums.

See PopMatters’ review.

by Cynthia Fuchs

18 Jun 2013


“The job of a sicario is to do away with the victim immediately, either with a bullet, a knife or a blow.” As he speaks, the hooded subject of El Sicario—Room 164 writes in a notebook, a numbered list of the weapons he names. “Quick and lean,” he continues, “So that the victim feels nothing more.” In answer to his own question, “How?”, he begins to draw a childlike outline of a car and to explain the difference between a professional sicario and an imitation sicario. Where the pretender fires dozens of bullets at a car—here he stabs at the page, bullet-dots all over the car he’s drawn—the real thing takes aim, needing only one shot to get the job done.

by Cynthia Fuchs

17 Jun 2013


It took David Kato some time to discover his calling, his identity as a gay man in Uganda and, beyond that, as a courageous fighter for gay civil rights. As he recalls in Call Me Kuchu, he came to his self-understanding when he left Uganda, briefly, in 1992. On arriving in South Africa, he remembers, he stayed at a YMCA. “I saw these men on the street,” he says, and when he asked what they were selling, wondering whether it was “gold or diamonds,” he was told they were selling themselves. He was further surprised when he learned that these men sold themselves to other men. “I said, ‘For what?’” Here David exaggerates his response, cocking his head to the side. “I said, ‘Ahh.’ And I’ve always wanted men, so I went to the street.” Returning to Uganda, he cofounded SMUG (Sexual Minorities Uganda), and took up a series of public and legal campaigns against various sorts of homophobia, particularly concerning newspapers outing and targeting individuals. The filmmakers, Katherine Fairfax Wright and Malika Zouhali-Worrall, spend a year with Kato, tracking and commending his efforts and confidence, his infectious good humor and his terrific charisma.

//Mixed media
//Blogs

Anderson East Ignites a Fire at Mercury Lounge

// Notes from the Road

"Hot off the release of his album Delilah Anderson East's performance was full of vim and vigor.

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