The Film Society of Lincoln Center celebrates Ken Russell from July 30-August 5, 2010. Regarded as British cinema’s greatest enfant terrible, he’s also an English national treasure. Russell created an intensely imaginative visual language to tell his stories—employing a style that is as poetic as it is ferocious.
Screenings include: The Boy Friend; The Devils; Lisztomania; Mahler; The Music Lovers; Savage Messiah; Tommy; Valentino; and Women in Love.
Join The Film Society of Lincoln Center for six personal audiences with the legendary Ken Russell, British Cinema’s madcap visionary maverick, in person at all evening screenings.
Legendary British metal band Iron Maiden posted a link recently to download a “preview” track from their upcoming studio album The Final Frontier, slated for release in August. This will be the band’s 15th studio album, three decades after their self-titled debut. The preview song, titled “El Dorado”, will be the second track from the new album, and it clocks in at nearly seven minutes.
While initially excited about hearing a new song from one of my favorite bands, after an email discussion with a friend and fellow metal fan, I started to have some doubts. Iron Maiden has had an incredible career, but the last two releases have hardly had the same energy and depth of earlier work. Regardless, I downloaded the track from the band’s website.
Upon first listen, I thought about the positives first. The song has all of the trademarks of a good metal song: raw, heavy guitar riffs, a tight rhythm section, and lyrics full of mythical imagery. I found myself nodding my head or rapping my fingers along to the beat numerous times. Afterwards, however, I was left with one nagging question, and that question wiped out any of the positives I just named.
Why does it sound like American thrash metal?
This isn’t the Iron Maiden that I know. The band’s trademark sound—Bruce Dickinson’s inimitable vocals, intricate guitar work by Adrian Smith, Dave Murray, and Janick Gers, all laid down over Steve Harris’ galloping bass lines and Nicko McBrain’s drums—only presents itself in a few brief instances on “El Dorado”. - As a Maiden fan, and a metal fan in general, I found myself wanting more. Perhaps that’s one of the pitfalls of being in a band like Iron Maiden. The bar is set so high that it’s hard for to match up to what’s been done in the past. I hardly expected another “Run to the Hills”, “Aces High”, or “Wasted Years”, but I expected something better than this. I will admit that after listening to “El Dorado” half a dozen times, it’s started to grow on me, and perhaps when I listen to the remainder of the album this song will sound better to me. For now, I’ll rate this one on the low end, with hopes that I’ll change my mind after hearing The Final Frontier in its entirety this summer.
If I told you that Nickelodeon’s SpongeBob Squarepants was the highest rated show amongst kids, you probably wouldn’t be surprised. If I added that a reasonable portion of its audience is college-age adults, you still probably wouldn’t be surprised. But if I were to tell you that it is the most loved TV show amongst pet parrots, then you might think I’m insane. However, I have proof.
Bird Talk magazine recently asked its readers, “What TV Shows does your bird love?” At the top of their list was SpongeBob. While many kids’ shows made the list, possibly due to their bright colors, the common thread amongst the other responses was theme songs. Not surprisingly, the article also mentioned The Andy Griffith Show and Pink Panther.
The second episode of the Legion of Extraordinary Dancers webseries focuses on two friends, Justin Starr and Jimmy Angel, who sneak into an abandoned warehouse to explore. After some horseplay, they accidentally unlock the ability to defy gravity with astonishing dance moves. Justin and Jimmy develop these abilities at the warehouse over weeks and months until a confluence of events sends each of them down their own path.
This video is a clever compilation of tracks from classic cinema set to Iggy Pop’s “The Passenger”. Pop was fresh out of rehab, in Paris, and being badgered by David Bowie to start making music when the tune was recorded. In many ways the song is classic Bowie but what always made it stand out was having Iggy Pop be the one to perform it. A song about being carried along by an awful drug addiction and finding faith that the world is still “made for you and me” has a much more impressive impact coming from Iggy. It’s also a refreshing angle on cinema, abandoning voyeur themes and affirming the classic sense that people “ride and ride” through a movie.
The song does make its winks and nods to film criticism as it goes. When Pop intones, “the stars made for us tonight” we cut to a couple making out on the beach in swimsuits. Clips are occasionally literal with lyrics, occasionally they match the rhythm of the song to a Hollywood dance routine, or matching the spirit of the scene to the line itself like the scene from Lawrence of Arabia where he is trying on his white garb for the first time appears with “Let’s take a ride and see what’s mine.”