In the midst of SXSW madness, Air played Jimmy Fallon’s stage to showcase “Love” off the similarly titled album Love 2 from last year. It’s a trippy mellow track, not surprising for the French band and they simplify matters on this live take, keeping the gentle groove front and center.
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There’s no other way to put it: Donovan Leitch is cool. With a cool dad (‘60s folkie Donovan), a cool sister (actress Ione Skye), a cool brother-in-law (singer Ben Lee), and even a cool ex-brother-in-law (Beastie Boy Adam Horovitz). Leitch is an actor who plays quirky characters in wonderfully offbeat movies, like the Xanadu-obssessed Darius in Allison Anders’ Gas, Food, Lodging, and Gerard Malanga in I Shot Andy Warhol. Hell, he was in Breakin’ 2: Electric Boogaloo. His wife is supermodel Kirsty Hume, and they have been married for over 12 years, which is ridiculously cool, and practically unheard of by Hollywood standards.
Leitch is the longtime lead singer for Camp Freddy, a loose amalgamation of L.A. musicians that has hosted every cool artist under the sun, from Chrissie Hynde to Ozzy. In the mid-1990s, Leitch fronted a band called Nancy Boy that recorded one brilliant self-titled record and was never heard from again, but what a record it is. Almost 15 years later I still listen to it all the time, and marvel at how fresh and contemporary it is, how visionary, how ahead of its time.
A cheeky mish-mash of Britpop, power pop, glam, and new wave, all served up with a load of lipstick and Leitch’s way-over-the-top English accent, it’s full of hooks and fabulously wonky lyrics like “I’m disappointed / The wolf was good to Riding Hood / It’s co-dependency / He’s more human than Gary Numan.” One can just imagine a pimply Brandon Flowers conjuring such a band in his daydreams years before he went on to form the Killers. If Nancy Boy emerged today, they could play Coachella tomorrow and the hipsters would run there as fast as their ironic white jazz shoes could carry them.
The video for “Deep Sleep Motel” was directed by Roman Coppola, of course. Because for Nancy Boy, only a future elder statesmen of cool video directors would do.
American noise rock band Crystal Antlers have gone the self-release route for their new tune, a 7-inch single of “Little Sister”.
The Apples in Stereo
Travellers in Space and Time
(Yep Roc/Simian Records/ Elephant 6)
Releasing: 20 April
You may have thought Elijah Wood had already done everything in his power to ensure his position as the ne plus ultra of hipster video stars, but he takes it to another level in the new promotional clip for the new Apples in Stereo record, Travellers in Space and Time. The fact that there is very little actual music featured is beside the point. More shenanigans can be found at stepthroughtheportal.com.
01 The Code
02 Dream About the Future
03 Hey Elevator
04 Strange Solar System
05 Dance Floor
07 No One in the World
08 Dignified Dignitary
09 No Vacation
10 Told You Once
11 It’s All Right
12 Next Year at About the Same Time
13 Floating in Space
14 Nobody But You
15 Wings Away
16 Time Pilot
Dance Floor [MP3]
“This is what change looks like”—President Obama on the passage of the health care bill 2010.
“How y’ah like me now”—Kool Moe Dee on passage of fly lines and breaking beats.
“Phew! Now let’s continuing governing”—The American people as we persevere in lining up with one another, and marching to a steady beat.
Now that “We, the People” can get late breaking news without the big media fixture… we can watch the admin online. “This is what change looks like.” I didn’t know, and I wasn’t sure, so thanks for clearing that one up, Big B. I’m a gen-XYer, which means that I was exposed to plenty of MTV and more than my share of bad governance. Governance was so bad under that mesmerizing era when the late Mr. Jackson was singing “Beat It!” that our leaders actually boasted of out-sourcing the care taking of most public goods. Social inequality expanded exponentially, but on MTV all we saw were those who came out on top; now we call it bling! Big bucks bred big benefits for what was presented as a benign few. Money just grew for anyone who worked hard was what the TV was selling. Now, at least, more folks know that to be untrue, not when public goods like a nation’s health security are compromised. But these are all the facts one misses when these stories are consumed and regurgitated to us by big media. Thanks to the Internet, we can surf the White House’s channel directly. “How y’ah like me now!”
Bollywood’s got their Big B, Mr Amitabh Bachchan himself, a 68-year-old film star that continues to appropriate pop cultures’ latest trends to reproduce his stardom. Bollywood’s Big B and his son each have commercial hip-hop videos—outtakes of sing ‘n’ dance film in full Bollywood array. Then Big B’s son married Bollywood’s fairest maiden. (And fair skin is big bucks in India, hence dames like Big B’s daughter-in-law are necessarily Fair and Lovely like the popular skin-bleaching cream. See the picture here of Big B, Aishwarya and Lil B before the major-event-wedding in 2007, and back when Indian chicks on screen could still boast some flesh—now thin is absolutely IN!) This courtly affair commands the attention of millions, and is its own marketing machine that could sustain that family’s wealth for generations to come even if none of them ever worked again. Until just over a year ago, it felt like America only had those sorts of stars—that kind of Bollywood Big B—the wealth alliances and fantasies sold to the masses of poor, one rupee at a time. But, apparently I was blind, because now I see watershed decisions made by those elected to govern. Like crack to a fiend, or like dark chocolate to me, Sunday, March 21st, 2010 feels like Tony Toni Toné: It feels good, yeah. It feeeeeels good!”
// Short Ends and Leader
"These three films on DVD from Warner Archives showcase different facets of Alfred Hitchcock's brilliance.READ the article