Garcia is one of the premiere contemporary storytellers of women’s stories—his Things You Can Tell Just by Looking at Her and Nine Lives are must-sees—this year he directs Naomi Watts, Kerry Washington, and the much-buzzed about Annette Bening in an eloquent tale about motherhood. Expect Bening to be at the Oscars again!
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Grandcrew.com is putting out some impressive videos lately, including this live performance from neo-folk singer Alela Diane in France this past July.
The music video for “Die Slow”, the frenetic dance number from Los Angelean noise rock outfit HEALTH, is engorged with gyrating bodies and spilling over with sticky blood, well-suited to the song’s sinister oscillations. The song can be found on their latest album, Get Color, which came out on Lovepump United just last week.
What goes through your mind when having an alcoholic beverage? Apparently for Russia and Poland, alcohol, or more specifically vodka, is much more than a consciousness-numbing substance—it is a key to history, tradition, and cultural pride. Since the late 1970s, both countries have been at war over where vodka originated, who has the right to call their product “vodka”, whose version is the knock-off recipe, and who gets to claim the drink as their own. The battle for vodka credit has even made it to the International Trade Court on multiple occasions.
After decades of fighting, The Vice Guide to Travel sent correspondent Ivar Berglin on a mission to find out once and for all if vodka originated in Russia or Poland. The Wodka Wars, a 33 minute documentary streamed on VBS.tv, presents the argument from a variety of perspectives. Berglin’s participatory approach took everything from history, nationalism, culture, and beliefs into consideration. He included diverse opinions and views on the debate from around the world. After watching the film one may ponder if history sufficiently proves claims to vodkas origins, or if opinion and pride are proof enough.
Stop it Sindri! I keep getting lost in your dewy eyes. Sindri Mar Sigfusson, bandleader of the whimsical pop-folk group Seabear, has just announced North American tour dates in support of his solo project Sin Fang Bous. Alongside Múm, this tour is to promote Sin Fang Bous’s first record Clangour, off Morr Music. Clangour explores Sigfusson’s personal musical ambitions with a thoughtful quilt of eclecticism: layered instrumentation and electronic hooks, colorful yet subtle melodies, and swirling vocals that keep you in a trance. Such pop ingenuity has led many to make comparisons between Sin Fang Bous and other experimental acts like Animal Collective. What separates them is that Animal Collective thrives on a dissonant, jungle-riffic street sound. It almost feels like it’s coming from an alien city. Hailing from Reykjavík, Sin Fang Bous’s songs are homemade quaint morsels of vibrant aural color. Clangour is a controlled chaos that is kind to the ears. These “pocket symphonies” remind you just how precious, and maybe fragile, the man and his music really are. Look below for his video for “Advent and Ives”, a free download of “Catch the Light”, and click through the jump to see the tour dates.
Sin Fang Bous
Catch the Light[MP3]