Latest Blog Posts

by Sarah Zupko

26 Apr 2017


Recently Saltland, a.k.a. Rebecca Foon, released her latest album A Common Truth, which we praised and rated an eight. Andrew Paschal wrote, “Rebecca Foon has managed to take what could have been a narrow exercise in chamber music and crafted something with real emotional depth and scope. She takes cues from sources as diverse as drone and freak folk while hewing devotedly to her core instrument.”

by Jedd Beaudoin

26 Apr 2017


Photo: Raquel Garcia

Based in Catalonia, high on the Iberian Peninsula, Foscor will release its latest LP Les Irreals Visions June 9th via Season of Mist. The veteran act’s progressive tendencies and dark roots are evident throughout this chilling new video “Instants”, from the eerie, sparse guitar figures of the introduction to the blasts of black metal evident in the startling, propulsive drum work from the mysterious J.F.

by Jedd Beaudoin

24 Apr 2017


Today we are premiering the video for “Parachute”, the new song from Spaceface, led by Jake Ingalls, also known for his guitar and synthesizer work with Spaceface. It should come as little surprise that the track and the project itself are informed by the theatrical, the psychedelic and all manners of heart and mind expansion.

Ingalls, taking a momentary breather from a seemingly constant cycle of writing, touring and recording explains that “Parachute”, taken from the group’s new LP Sun Kids, originated with Spaceface’s live show.

by PopMatters Staff

17 Apr 2017


Andrew Paschal: Coco Hanes wears all the trappings of adolescent garage pop, but “I Don’t Wanna Go” is more melodically astute than I at first expected. In the same way that “Girls Just Wanna Have Fun” couched a deeper yearning for freedom within its bubblegum frame, Hanes seems to be getting at a real conversation about independence even through her veil of carefree irreverence. [7/10]

by PopMatters Staff

14 Apr 2017


Andrew Paschal: The second season of Mr. Robot featured a scene similar to the “Ain’t It Funny” music video, with the characters locked in a twisted black comedy version of an old-school sitcom. Both clips vacillate between funny-creepy and actual creepy, using humor while also inverting and dissecting that humor. Danny Brown is excellent as always about highlighting substance abuse as the mental health problem it is while pointing out the way artists are in some ways encouraged to self-destruct for public entertainment. [8/10]

//Mixed media
//Blogs

The Moving Pixels Podcast Becomes the 'Beholder'

// Moving Pixels

"It's easy to think that we would never be complicit with the dictates of an authoritarian regime, but Beholder reveals how complicated such choices can become.

READ the article