On June 14th, TNT will unveil a thrilling, gut-wrenching, compelling new series Animal Kingdom based on the 2010 Australian cult film of the same name wherein lead actress Jacki Weaver earned a Best Supporting Actress nomination for the role of Smurf, the family matriarch. Well, Smurf is back and she’s not in a supporting role anymore. Critically-acclaimed Ellen Barkin stands tall as the mother of her criminal gang family and she’s tough as nails running her business and her sons will do anything to remain in her good graces.
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Hazmat Modine co-songwriter Wade Schuman sums up his band perfectly saying, “I think our band is like a really good NYC diner. The food comes from every tradition you can think of, but in the end it’s really the ultimate American comfort food.” Hazmat Modine’s membership includes musicians of various ages, races and backgrounds, a true melting pot, just like New York City, and their music draws from a host of American traditions including early jazz, the American popular songbook, blues, country, R&B, as well as a variety of world beats. It’s makes for exiting music that is always open to new influences and change. Hazmat Modine’s third album, Extra-Deluxe-Supreme, is meant as something of a document of their 10-year history and their adventures traveling the world, absorbing new influences and spreading American roots musics far and wide.
Emmanuel Elone: It would be really easy to hate this song. Super Furry Animals lays on the “bing bong” line heavily across all five minutes of “BingBong’s” runtime, and there are moments in the beginning that feel obnoxious and frustrating as a result. However, once you look past the lack of lyrical ideas and the fairly excessive runtime, “BingBong” is actually pretty great. The beat is steady, and has a fantastic bass line at its core, while the simple lyrics float over the rhythm as another instrument of sorts. When “BingBong” is not being occasionally annoying, it’s fun, catchy and energetic, making it a great hit for the summer. [7/10]
Pryor Stroud: Cryptic, moody, and possessed by a nearly Lynchian sense of unease, “New Age Thriller” is a demented avant-pop vignette that watches two lovers slip behind a wall of shadow to perform strange sexual acts. U.S. Girls—the alias for noise-art iconoclast Meghan Remy—drapes the track’s singsong melody in bizarre synth chimes and dark, monolithic electro tones that seem to rise out of the track’s background. “And I won’t provide it for you / Even though you / Even though you’ll force me to”, Remy sings, and you can sense that her lover is across from her behind a shifting curtain of darkness, his palm outstretched, beckoning her to step away from the light for a while. [7/10]
Pryor Stroud: “I Need a Forest Fire” is perhaps best understood—and listened to—as a perfectly balanced collaboration between the two artists it features. Here, you can hear both of them vividly, as if they somehow happened to write and record the exact same song simultaneously and then, discovering that the other stumbled upon an identical slice of ether-drenched indie pop, decided to intermix their efforts into one singular composition. Indeed, “Forest Fire” seamlessly pools Blake’s ghost-soul vocal melodies with Bon Iver’s grayscale, heart-ripped-open songcraft style. The result is, needless to say, solemn, but the solemnity it conveys does not feel overblown or melodramatic or strategically manufactured. It feels, in a word, real, like a heartbreak from your past that you’ve been afraid to revisit. [8/10]
// Channel Surfing
"The show serves up an Avengers-esque character round-up, but the plot is powerless.READ the article