Latest Blog Posts

by PopMatters Staff

24 Feb 2017


Mike Schiller: Sampha’s been riding a wave of under-the-radar success thanks largely to memorable guest spots with Drake, Kanye West and Solange, and it feels like he’s barely a step away from hitting pop radio and turning his sizable talent into megastardom. This is probably not that step, but it is further confirmation of the power and beauty that Sampha brings to his music. The ring of the piano itself is beautiful here; the slightly distant sound we get from (presumably) using an upright rather than a grand piano is perfect for the mood Sampha’s going for, and his words—and they way he delivers those words, pushing through some of them, falling off toward the ends of lines—are absolutely, stunningly gorgeous. [9/10]

by PopMatters Staff

24 Feb 2017


Adriane Pontecorvo: The world’s coolest dads are back with a snarling, on-the-nose critique of jingoism, current politics, and, above all, a lack of full-scale revolt. Their electronics are as sharp and slick as ever, layers of rocking synths and growling guitars that build as Dave Gahan bitterly tries to fan the flames of rebellion. Depeche Mode didn’t come this far to let the masses stay comfortable. This is a band that’s here to rile the blissfully ignorant and the unduly comfortable, and “Where’s the Revolution”, has no time for the rabble that won’t be roused. [7/10]

by PopMatters Staff

23 Feb 2017


Steve Horowitz: This is a truly adorable video and an endearing song. Muppet love! And damn, D.R.A.M. has an infectious grin. Musically the song is infectious pop with a not so innocent-innocence. The catchy hooks and beat make the time go fast and before one knows it, one has to play the song again. There was a time not so long ago where the word “cute” was used as an insult as in “Don’t get cute.” D.R.A.M. redeems the term and makes an appealing plea for its return as a compliment. Kudos are in order! [9/10]

by PopMatters Staff

22 Feb 2017


Paul Carr: The first release since Nabuma Rubberband sees the band kick back with a deceptively simple ode to the pleasures of getting stoned. It’s a suitably woozy atmospheric track featuring crisp, undulating synths and lolling, drowsy beats. It’s a very polished sound with unhurried, whispering vocals that give the song a certain ‘80s vibe. The whole thing is allowed to drift and swirl, like clouds of smoke as they drift into the night sky. [7/10]

by PopMatters Staff

22 Feb 2017


Paul Carr: The collaboration between experimental hip-hop producer, Knxwledge and alternative R&B’s shining light, Anderson Paak, reaches its peak on this ultra smooth, neo-soul hit. Knxledge sprinkles his deep, soulful beats with just enough funk to keep the toes tapping and the head bobbing. Meanwhile, Paak finds the perfect sweet spot between his crisp, fresh verses and his soulful croon to create a super-slinky, late night tune. [8/10]

//Mixed media
//Blogs

'Fire Emblem Heroes' Is a Bad Crossover

// Moving Pixels

"Fire Emblem Heroes desperately and shamelessly wants to monetize our love for these characters, yet it has no idea why we came to love them in the first place.

READ the article