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by Sarah Zupko

25 Aug 2016


Eli Paperboy Reed blends soul and gospel into a style Chris Ingalls called “garage soul” on his latest album My Way Home. Moving away from pop into roots music suits Reed to a tee as he benefits from a strong, passionate voice positively dripping with soul and an incendiary performance style that leaves crowds in awe. Reed tells PopMatters that “‘My Way Home’ was the first song [he] wrote for this album and it really helped reveal the direction the rest of the record was going to take and what [he] wanted to get across both musically and emotionally.” That’s readily apparent as the title song builds to a moving finish that will slay soul freaks. Like Mike Farris, Reed keeps the rock ‘n’ roll energy in his music and he’s grown into a consummate artist that’ll thrill audiences for many, many years.

by PopMatters Staff

25 Aug 2016


Photo: Scott McCormick

Colorado’s Paper Bird have been turning heads on the Americana scene with their unique sound featuring three female lead vocalists. So much so, in fact, that John Oates of the legendary Hall & Oates became a fan of the group and then signed on to produce their new self-titled album releasing September 9th via Thirty Tigers. That’s just in time for the AmericanaFest crowds to have digested their new music ahead of their appearance at the festival on September 24th. You’ll hear influences from Fleet Foxes, the Lone Bellow, and Fleetwood Mac on Paper Bird and, of course, from John Oates himself as the band honors him with this delightful take on the Hall & Oates classic, “Make My Dreams Come True”.

by PopMatters Staff

24 Aug 2016


Photo: Andrew Stasser

Chris Ingalls: The latest project from New York-based electronic artist Joe Williams, Motion Graphics is a purely synthetic stab at experimental synthpop, with an emphasis on “experimental”. With “Anyware”, he basically throws everything at the wall to see what sticks, and the result is a sonic collage packed with unique textures that sounds like Peter Gabriel’s Security album after a wild animal was let loose on the mixing desk. Interesting, restless and far-reaching. [8/10]

by PopMatters Staff

24 Aug 2016


Adriane Pontecorvo: Beautiful, soulful, and just a little otherworldly. There’s a tight simplicity at the core of both this song and its video: a voice, a woman, an empty room, piano notes spiraling upward. Within such clean lines, it’s that much more rewarding to go outside the box, glitching and syncopating, defying physics. The way the retro beats play together sounds almost childlike, and Lalin St. Juste’s voice is the perfect counterpoint, pouring through the spaces between keys and loops like honey. The only issue I have with this song is that I want so much more of it; at less than three minutes, this song will get a lot of repeat listens in anticipation of the full album release in October. [10/10]

by PopMatters Staff

23 Aug 2016


Photo: Jay Sansone

Eric Krasno has been a prolific musician over the past 20 years, co-founding both Soulive and Lettuce, while playing, producing and songwriting for a host of the music world’s leading lights, such as Tedeschi Trucks, Talib Kweli, Norah Jones and more. Stepping out on his own has allowed the virtuosic guitar master to quite literally find his own voice as he takes the mic for the first time revealing an affecting, gentle, bluesy soul man. On his latest single, “Jezebel”, Krasno lays out a mellow soul/blues vibe with some slinky, masterful guitar playing and a tale of love gone wrong.

//Mixed media
//Blogs

Best of the Moving Pixels Podcast: Further Explorations of the Zero

// Moving Pixels

"We continue our discussion of the early episodes of Kentucky Route Zero by focusing on its third act.

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