The unusual quality of Leisure Suit Larry exists in the unconventional role reversal of the male as pursuer in favor of the female as the one necessary to complete a game's quest.
As a comedy (and not an especially sophisticated one at that), the Leisure Suit Larry series has always traded on stereotypes. The focus of most of the 1980s era point-and-and click adventure games is on Larry Laffer and his quest to get laid. In most instances, the games have a standard formula. Larry attempts to bed several women, all of whom are typically stereotypical gold diggers, before he finally finds his one “true love” (and since this is banal sex farce “true love,” of course, really simply means “good sex” or at the very least “decent sex”).
For Larry Laffer, the narrow definition of sex always contains a simplistic understanding that sex is a commodity. In Leisure Suit Larry 3: Passionate Patti in Pursuit of the Pulsating Pectorals, Larry will, as usual, attempt to bed at least three women before meeting his dream girl, Passionate Patti. These sexual encounters will end in miserable failure, of course, but they will also be defined by the idea that sex for a loser like Larry will need to be purchased. In the case of this game, Larry initiates sexual encounters by giving a girl a credit card, another is given a deed to some land that he owns, and another is aided in figuring out how to market her exercise video by Larry’s economic advice that “sex sells.” Sex is always for sale in this context, but, also, of course, the boundaries of the point-and-click adventure make the idea of trading objects for sexual experience the only reasonable course of action within this genre. After all, the classic point-and-click adventure is always reduced to solving puzzles by figuring out how to use objects on other objects in order to progress in the game. That the objects of Larry’s affection must be cajoled by yet more objects is unsurprising to say the least (and also unsurprising in a narrative genre in which men and women are most often reduced to objects that represent an idea of what men and women are, rather than in attempting to create realistic imaginings of actual people).