Warning: This post contains spoilers for The Road and early-game spoilers for The Last of Us.
The apocalypse comes quickly to the unnamed protagonist of Cormac McCarthy’s The Road. The actual end of things comes much, much, slower. The brilliant flash of light with no clear origin appears suddenly and irreparably transforms the landscape into a dreary wasteland. Life continues but only as a last, dying breath. In the pages of McCarthy’s deeply compelling novel, desolation is absolute. Although the colors of Naughty Dog’s The Last of Us paint a more vibrant landscape, its apocalypse still weighs as heavily. Both stories express some level of hope, the latter more than the former, but hope at the brink of oblivion holds new meaning. These artfully depicted final moments of mankind amidst overturned and alien landscapes nevertheless confront modern concerns and strive to explore the meaning of important concepts in a simplified and dreadful world.