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by G. Christopher Williams

6 Jul 2016


Notice to all faculty and students: I am going to kill you.
—A note found in Corpse Party

For whatever reason, I’ve spent a lot of time recently playing video games from Asia, all of which are horror games. I just started playing the Japanese horror game Corpse Party, having just finished up the Korean horror game The Coma, and just before that I played a Japanese horror duo, Danganronpa:Trigger Happy Havoc and Danganronpa 2: Goodbye Despair. Besides being developed in Asia and featuring a lot of gore, the other thing that all of these games have in common is that they all occur in school settings.

by G. Christopher Williams

29 Jun 2016


This post contains spoilers for the static speaks my name, which is a game that takes probably five to seven minutes to get through and is free to play on Steam. So, if you would like to not be spoiled but would like to read on, you can find the game here and then come right back for this discussion of it.

You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat.
—Montresor, the killer in Edgar Allan Poe’s “The Cask of Amontillado”

by G. Christopher Williams

22 Jun 2016


Limbo doesn’t tell a story. Limbo is an impression.

Limbo is about childhood. Much of childhood is a form of limbo, a state that lacks a specific goal, something specific to accomplish.

by G. Christopher Williams

15 Jun 2016


I’ve now played about a dozen games of Dead of Winter, and I think that it is the best purely cooperative board game that I have ever played. The reason that this co-op game plays so well is because I play it so selfishly.

The trouble with co-op board gaming is the group. The group is always smarter than the board.

by G. Christopher Williams

25 May 2016


I first held down B to run in 1986.

The local Safeway store (a grocery chain) near my house featured a new arcade machine that I had never seen before. It was called Super Mario Bros.

//Mixed media
//Blogs

20 Questions: Rachael Yamagata

// Sound Affects

"After a four year break since her last album, Rachael Yamagata reveals a love of spreadsheets, a love for Streisand, and why it's totally OK to suck at playing guitar.

READ the article