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by Nick Dinicola

3 Aug 2012


Dear Esther is an unsettling game. It’s not violent or disturbing but eerie in a very memorable way. The Lost Archive DLC for Assassin’s Creed: Revelations is, to my surprise, similarly unsettling. The DLC continues that game’s odd first person puzzles with narration, but this time the narrated story isn’t Desmond’s story and that completely changes the tone. Both games revolve around the same concept: reliving someone else’s memories. And both games use similar tricks to create a sense of unease and tension even when there’s no danger of failure, since the entire story revolves around stuff that’s already happened.

by Nick Dinicola

27 Jul 2012


Broken Sword: The Sleeping Dragon was the first of the venerable point-and-click adventure series to make the leap to 3D. Playing it now evokes a weird kind of wonder. As a fan of the series, it’s undeniably awesome to see a 3D model of George Stobbart and Nico Collard, even though it’s a horribly dated game in terms of graphics. But what’s more interesting is how the new dimension impacts the gameplay and how those changes both lessen and heighten the sense of adventure in the game.

by Nick Dinicola

20 Jul 2012


Syndicate creates an interesting world and places you in an interesting position within that world: There are no more countries, just giant corporations. It’s a set up primed to offer social commentary by showing you different facets of everyday life filtered through a corporate lens. You play as an Agent, essentially a spy but nowhere near as subtle. It’s a great role for the player since it justifies our travel to multiple syndicates and our access to sensitive information. From this position we can easily watch a conspiracy unfold.

Syndicate could have offered social commentary by way of a political thriller, but it doesn’t. The great world building is undermined by a plot twist so hackneyed and lazy that it turns Syndicate into a prime example of how not to tell to a story.

by Nick Dinicola

13 Jul 2012


Slender is a free indie game by Parsec Productions based off the Slender Man mythos that originated in a Something Awful forum thread about fake paranormal pictures. His creation and history are a fascinating story, a community-driven monster myth in the making, so it was only a matter of time until someone made a game about him.

by Nick Dinicola

29 Jun 2012


Asura’s Wrath is a simple game that tells a simple revenge story. It doesn’t do anything new or interesting with this basic premise. This story progresses as you expect with the characters that you expect taking on the roles that you expect. There are no surprises… until the cliffhanger ending. Leaving aside the ethical issue of purposely cutting off the end of the game and selling it as DLC, this DLC is worth the price or at least a gander on YouTube (which is what I did) because the final four episodes take the crazy spectacle of Asura’s Wrath and mix it with some shockingly thoughtful themes.

//Mixed media
//Blogs

Supernatural: Season 11, Episode 19 - "The Chitters"

// Channel Surfing

"Another stand-alone episode, but there's still plenty to discuss in the Supernatural world.

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