Character animation is a good way to evoke sympathy, display character, or define relationships. The best (or at least my favorite) example of this is 2008’s Prince of Persia. While cut scenes and optional bits of dialogue help convey the growing relationship between the Prince and Elika, most of these conversations are just for the sake of exposition. The real character development comes from their animations—specifically, how they interact with each other: How they move around each other while climbing and fighting suggests a couple that have an excellent working relationship, they know each other’s movements and can jump around without getting in each other’s way, the way they lock arms and spin around to switch places on a beam is more playful, suggesting more of their working relationship, etc.
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Betas have become a popular marketing tool in recent years. It’s odd when you think about it. We praise “polished” games but jump through marketing hoops to play an unfinished one. Personally, I think it’s the industry’s insane demand for the new, New, NEW that drives us to consume that NEW thing even through it’s not actually complete. But that’s a discussion for another blog. For now, I’m more interested in what happens when this marketing train flies off the tracks.
This year we’ve had four major betas: Gears of War 3, Uncharted 3, Assassin’s Creed: Revelations, and Battlefield 3, the latter of which has become a cautionary tale of how not to do a beta.
Death is rarely scary in games, mainly because it’s so common. As with anything else that we experience multiple times, death loses its impact. This is an obvious dilemma for horror games. Death is only scary when we don’t die. But when a horror game embraces this contradiction and helps the player stay alive for as long as possible, it becomes truly terrifying in a way that few games can manage.
The Thing prequel—though let’s be honest, it’s really a remake—comes out in theatres today. It’s debatable whether this story of paranoia needed another prequel/remake, but while they’re at it, how about remaking the game too? Because there’s no debating that The Thing game needs an update.
A new piece of DLC is coming for Dragon Age II called Mark of the Assassin. But I’m done with Dragon Age II. I played it, enjoyed it despite some flaws, beat it, and plan to go back to it eventually (i.e. sometime before Dragon Age III). However, this coming DLC has piqued my interest due in no part to its content, but rather to its creator.