There’s a lot of bad exposition in games. Exposition itself isn’t a bad thing, sometimes it’s helpful and even necessary, but video games—with their need to create entire new worlds—constantly fall back on the bad habits of lazy execution: characters explaining things that they already understand or going off on a whole history lesson with the slightest provocation, purely for the sake of the player. It feels forced and leads to bad dialogue, since it’s hard to make an encyclopedia article sound like anything other than an encyclopedia article.
The Witcher 2: Assassins of Kings ends with a massive exposition dump between the protagonist Geralt and his antagonist Letho. This political thriller fantasy game involves dozens of character, all with their own motivations and secret plots, interacting with each other, playing off each other, using each other, and betraying each other. One conspiracy mastermind might just be a pawn in someone else’s larger conspiracy. It’s an incredibly complex web of character relations, and it’s all laid bare in the final conversation of the game: a climactic Q&A session. Some of it is forced—and horribly so—but for the most part The Witcher 2 excels at doling out large doses of information in a very short time. It does the exposition dump right.