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Tuesday, May 13, 2014
Manchester lads The 1975 are huge with the youth and are selling out shows around the States including their night at Terminal 5 in New York.

Manchester lads The 1975, are a youthful and entertaining pop band currently performing sold out shows across the United States on their first tour here. Their music is an energetic blend of rock that is at times atmospheric, at times R&B influenced and has similarities to Arctic Monkeys, Maroon 5 and Fall Out Boy. Catchy hooks helped them top the charts in the UK last September but they haven’t made a huge splash over here outside of a certain demographic… the youth. More specifically, young girls, though it is safe to say it is not as awkward a crowd for a male as a Miley Cyrus show. (I did overhear one girl ask a friend what was I doing wearing earplugs at a concert, I don’t think she knew what they were though from her tone.)


Tagged as: manchester, the 1975
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Wednesday, May 7, 2014
Scottish trio Chvrches closed out their tour with three explosive sold out nights at Terminal 5.

Chvrches have exploded onto the music scene in the past year on the back of their sole album The Bones of What You Believe, an extraordinarily strong synth pop debut. The Scottish trio, singer/keyboards Lauren Mayberry, guitarist/keyboards Iain Cook and keyboards/vocalist Martin Doherty have taken every moment in the past year to promote the album it seems, climbing into larger venues and playing in front of bigger crowds. They only performed for about an hour at Terminal 5, but it was one incredibly blinding show filled with huge musical moments and some chat. Mayberry wished everyone a “Happy Star Wars day” in honor of May the 4th and the band pointed out someone in the front with a Star Trek shirt. With every song a hit, its hard to choose a standout moment, but the united breathy vocals in “Night Sky” accentuated Mayberry’s voice even more.


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Monday, May 5, 2014
The man possesses serious chops, but he plays with a great sense of feel and sonic spacing that eludes many guitar shredders. Few guitarists can make every note count like Scofield does.

It was far from a typical night Sunday night at the University of California’s San Diego campus with the John Scofield Uberjam Band in town. The Loft is an on-campus venue with a small stage set in a modern pub atmosphere. But Scofield apparently sold too many tickets for the venue, so the show had to be moved to an adjacent ballroom across the hall.


There was a proficient student jazz band opening the show but no bar inside the ballroom, not to mention no drinks of any kind allowed except for bottled water. Most ticket holders were therefore inclined to idle at the Loft’s bar while waiting for the headliner. The Loft had a heady beer selection that would put some other local venues to shame (such as The Belly Up Tavern, House of Blues and Winston’s Beach Club), and excellent food to boot. It would have been a perfect setting for a show, compared to the featureless ballroom.


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Friday, May 2, 2014
Fanfarlo remain one of my favorite recent bands. Should I feel sad that they are playing smaller venues than the last tour or happy because I can be closer up?

When Fanfarlo’s drummer, Amos Memon departed from the band last year, Valentina Magaletti took on the role. The more gender-balanced Fanfarlo then released their newest album Let’s Go Extinct earlier this year to a cumulatively somewhat improved score over their past two albums (at Metacritic) though less people took the time to review it (including this site). So, should I feel sad that one of my favorite bands in the past five years is garnering less attention, which means they are playing smaller venues, or be happy because I can stand closer to the stage and not get jostled?


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Thursday, May 1, 2014
Lauren Larson occupies the Mount Olympus of women in rock as Ume destroys San Diego.

The year was 2011. Ume was named by Rolling Stone as one of the top unsigned bands in the country and it seemed the Austin, Texas power trio would soon be soaring to the top of the modern music world. The band had released their debut LP Phantoms and was winning raves with every gig thanks to singer/guitarist Lauren Larson’s dynamic onstage presence.


The waifish blonde has a soft-spoken Southern belle type of voice when she speaks, but it belies her true musical persona. There’s a dark angel inside and when the band cranks up the amps, Larson turns into a mesmerizing rock goddess with her furious riffs and urgent voice. She also flies a flag for the sentiment that couples who play together stay together - she’s married to her bassist Eric Larson, with whom she began collaborating when both were in high school. He seems to care little for the spotlight, content with the best spot in the house. He teams with drummer Rachel Fuhrer to create a powerhouse rhythm section behind the alt-rock siren of their dreams.


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