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Tuesday, Jul 8, 2008
by PopMatters Staff
Pictures by Sarah Zupko / Words by Karen Zarker.

PopMatters trekked out to Fitzgerald’s annual American Music Festival to catch legendary Texas singer-songwriter Joe Ely play a smoking set with accordionist Joel Guzman. While waiting to soak up the sonic, soulful talent of Joe and Joel live—what a privilege and a pleasure—we caught a bit of traditional New Orleans jazz from the Salty Dogs and NOLA brass band music from the BS Brass Band, too. Eager to hear Ely and Guzman, we only caught part of Rosie Flores and the Pine Valley Cosmonauts, but Rosie joined Joe and Joel to perform the second encore. The stomping, shouting crowd just didn’t want to let them go.


We highly recommend this annual event held at one of Chicago area’s best music venues.


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Monday, Jul 7, 2008
by Robin Cook

Louisville-by-way-of-NYC indie rockers Antietam flew to Austin to play four—yes, four—sets. Guitarist/singer Tara Key has branched out into solo albums, but as she explains, Antietam never broke up, even during a 10-year gap between albums. Their new album, Opus Mixtum, is now out on Carrot Top. Here, Tara provides a history of the band and her own musical influences.—Robin Cook



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Thursday, Jul 3, 2008
by Robin Cook

Originally, this was going to be an interview with just Mr. Bonebrake, but then Billy Zoom turned up. Two X members for the price of one. What luck! And what can I say about this band that hasn’t been said before? Well, for one thing, Billy Zoom is an amazing guitarist, and it’s great to see him playing again after a decade away from music. And DJ Bonebrake is a phenomenal drummer whose contributions to the band are usually overlooked. And finally, it’s an honor to interview them.—Robin Cook



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Tuesday, Jun 24, 2008
by Sarah Zupko and Karen Zarker
Pictures by Sarah Zupko / Words by Karen Zarker.

Soul and gospel legend Mavis Staples’ sold out performance at Chicago’s Hideout last night brought the Civil Rights movement and all those souls who marched, sang and prayed during that critical time, to the crowded little room. A tiny venue for Staples’ big voice –- bigger than the legend herself, nearly as big as the History she sings for -– the Hideout was standing room only and filled with the reverential; some among them who lived through the ‘60s, as well.


Staples and her talented band opened with Buffalo Springfield’s “For What It’s Worth”, and carried the spirit of fighting for justice through gorgeous renditions of “Eye on the Prize”, Down in Mississippi”, The Band’s “The Weight” –- to name but a few. The ghosts of the marchers stood among us, swaying, stamping, clapping.


For those who couldn’t be there in person (because you live in another city/country, or were just born too late), she was recording a live album for Anti- Records last night, and her tour schedule is going strong, strong as that fighting spirit that lives on.  Amen.


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Friday, Jun 20, 2008

All About Style


Anyone in attendance would have easily thought it was a Saturday night instead of a Tuesday as they gazed into the eyes of starlets Helen Marnie and Mira Aroyo.


In the crowded Vic Theater, packed with people dressed for the occasion in all sorts of mod, emo, and punk attire (sometimes elements of all three!), the four members of Ladytron emerged on stage adorned by alternating strobes. The two male members of the band, Liverpool natives Daniel Hunt and Reuben Wu, stayed back, immersed in total darkness, while Mira and Helen took to the front in matching silky black attire. Much like a microcosm of their music, many of their effects remained concealed mysteriously in the back. Up front, Korg keyboards were de rigueur, and the alternating vocals of Helen and Mira sailed over the instrumental onslaught. At times, their chords assaulted the cheering crowd; at other times they drifted across in waves. Each strobe cast a mixture of intense bright light and shadows across the pair of female singers, the harshness matching the onslaught of sound that often emerged from the stage.


Ladytron are currently on tour to support their recently released fourth studio album Velocifero. Like their past albums, it is packed with synth-pop goodies that mix a dreamy sensibility with the compulsion to dance. “Ghosts” and “Runaway” came off particularly well, with a lushness expected of this electropop quartet. They mixed these new songs with old favorites, such as “Playgirl” and “Seventeen”. Though there was minimal stage banter, Ladytron did seem appreciative of their audience who basked in the glory of the music.



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