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by Christian John Wikane

4 Nov 2008


Brooklyn-based soul chanteuse Maiysha headed uptown over the weekend to perform at the Get Out the Vote drive hosted by Congressman Charles B. Rangel in the plaza of the Harlem State Office Building on 125th St. in New York. Hundreds of voters took the “A” train to hear community leaders and musicians lend their voices to a pre-Election Day celebration in support of Senator Barack Obama’s campaign to win the Presidency on 4 November.

Maiysha treated the audience to two tracks off her debut album, This Much Is True (Eusonia, 2008), including the reggae-sway of “U.S.H.” (“United States of Hysteria”) and the album’s first single, “Wanna Be”. In the next few weeks, Maiysha will travel to her native Chicago for another round of promo dates before the New Year.

by Thomas Hauner

3 Nov 2008


It wasn’t Halloween night, but in New York a minimum of three days before and after October 31st is all that’s necessary for costume-induced revelry. And enough fans dressed ambiguously enough that the line between costume and outfit was thin. When MGMT, the duo consisting of keyboardist Ben Goldwasser and guitarist Andrew VanWyngarden, and their supporting band took the stage in matching Three Amigos attire, the crowd roared in delight.

And that was the general trend all night. The crowd clamored in delight every time Goldwasser approached his mic (he didn’t get more animated than that), lead guitarist James Richardson ripped into another fret-shredding solo, and whenever the group’s meandering jams coalesced into danceable beats.

The group seemed at ease on stage despite the surrounding underage regalement and general hysteria. They cruised through the majority of Oracular Spectacular, including their certifiable hits “Electric Feel” and “Time to Pretend”. But they lingered on “The Handshake” and a couple of other tracks, jamming extensively under Richardson’s commanding solos.

Singing has never been VanWyngarden’s strong suit—the album clearly works some auto-tune magic—but it was rough-hewn enough that it suited their ‘60s inspired indie sound well. “Weekend Wars”, however, simply sounds constipated and it did so equally live.

Winding down their set with “Kids”, they set down their instruments singing along to Goldwasser’s mostly solo electronic engineering. But they weren’t quite done and VanWyngarden pressed Richardson to follow his lead with playing “Girls Just Want to Have Fun.” What followed was a train-wreck of a cover, with VanWyngarden screeching out the vocals in an even loftier falsetto than usual and the bass player struggling to follow Richardson’s chords.

Though MGMT’s innovative psychedelic indie pop sound and songs of fated delusions made for a solid debut album, their only live embellishment was an exhilarating third-party guitarist. (And also their costumes.)

by John Bohannon

28 Oct 2008


While their live show alone could easily carry them into the future, if Monotonix can find a way to translate the reckless energy onto record, these crazy folk from Tel Aviv are going to be huge. It was a smart lineup decision to put these guys on last, as trash buckets flew, drums were annihilated, and beer was spilled over the entire audience. The best thing about Monotonix, though, is they aren’t gimmicky; the instrumentation—just drums, guitar, and vocals—is so ungodly powerful that it would be fantastic even if they were just standing stoically. More bands need to take note that you’ve got to incorporate the best of both worlds to make it in today’s oversaturated musical market. Monotonix not only heed this advice, they go above and beyond it.

by John Bohannon

28 Oct 2008


High Places put out one of the best debut records of 2008, but unfortunately, their live show isn’t going to push them out into the crowd of developed bands quite yet. Although it’s hard for a duo to be able to put on a captivating live show with so much going on musically, they need to add elements to their live show to hold the audience’s interest. To be fair, they are still new on the scene and they have plenty of time to grow. The songs are great but the show is lacking, a common case these days it seems

by John Bohannon

28 Oct 2008


There’s something to be said for a band that can hold it down as a three-piece, and Thrill Jockey’s Pontiak can do just that. One the heaviest, more intelligent bands I saw over the course of CMJ, Pontiak proved they are more than just a “heavy” band. Their tracks are minimal, yet composed with great accuracy, and were able to hold the audience’s attention with a trance-like quality until the guitar exploded into freak-out territory: A true psychedelic, stoner metal experience without all the assorted clichés.

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FKA twigs Outdoes Herself with 'Congregata' (Photos)

// Notes from the Road

"A regular FKA twigs performance is exciting. But her 'Congregata' event amps up the fervor ten fold, with more wild dancers, powerful lights and costumes.

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