“To outliving your enemies,” shouted Priests frontwoman, Katie Alice Greer, to a crowded Music Hall of Williamsburg. Whoever had ‘em, or at least those who were comfortable, raised their beers to the death of Antonin Scalia, which had been announced just hours prior. Celebrating anyone’s death isn’t really anyone’s idea of civilized, but if there’s ever a place to suspend social pleasantries, it’d be a Priests show. And after all, she did preface it somewhat fairly: “I’m not normally one to celebrate someone’s death, but anyone will do a better job than he did on the Supreme Court.”
They then whipped into another riot punk number, air-tight rhythm section grooving along while she posed, chanted, rumbled through her ironic lyrics. Priests are a band with conviction, making use of a noisy, Sonic Youth template as a platform for their unruly politics. Their closer, which they introduced as a new one, played big with melody and groove—perhaps their touring companions are rubbing off. Bodes well for a vibrant follow-up to their “Bodies and Control and Money and Power”, which itself topped Impose’s Best Albums of 2014.