Latest Blog Posts

by Chelsea Phillips-Carr

18 Sep 2017


(IMDB)

Ope (Zainab Balogun), a struggling chef, decides to return to the Royal Hibiscus Hotel owned by her parents in Lagos after quitting her London job. Seeking comfort in her childhood home, things go awry when Ope begins a romance with Deji (Kenneth Okolie), a guest who just happens to be working on a deal to buy the hotel. Directed by Ishaya Bako and viewed at the Toronto International Film Festival 2017The Royal Hibiscus Hotel has all the makings of a conventional romantic comedy, but in Bako’s hands, conventionality is at its best.

by Sachyn Mital

15 Sep 2017


In a recent conversation with the NY Post, Patti Smith noted that her show at Summerstage became a tribute to her late husband in a roundabout way. The September 14th performance “was not something specifically planned, it was a positive piece of fate… The band was asked to play Central Park on 14 September, which is Fred’s birthday and it seemed natural that we center the concert around him.”

by Chelsea Phillips-Carr

10 Sep 2017


Kathleen Hepburn’s feature debut, Never Steady, Never Still, viewed at Toronto International Film Festival 2017, leaves a lot to be desired. Théodore Pellerin stars as Jamie, a young, aimless man living in Alberta, Canada. He struggles with his identity and sexuality while his mother, Judy (Shirley Henderson) attempts to deal with the progressing symptoms of Parkinson’s disease. But with underdeveloped characters who rely on garish representations of difficulty, the film is never sensitive enough to its subjects.

by Chelsea Phillips-Carr

10 Sep 2017


In 2012, Denis Côté directed Bestiaire, a documentary which captured with simultaneous cold objectivity, and tender sensitivity, the lives of zoo animals, allowing them to be looked at, but also to look back. Côté created a space for a new visual relationship with animals. Taking up this same style, Ta peau si lisse, at Toronto International Film Festival 2017, focuses this time on five bodybuilders.

by Sachyn Mital

7 Sep 2017


Electric Zoo 2017 was by no means perfect. Having attended only the final day of NYC’s major EDM fest, I arrived fresh on site to find the fields full of mud. I should have known better given the rain on Saturday, but I managed not to slip, nor get any mud on my camera. And the crew worked hard to get hay on the field to prevent any one else from falling. So that counts as a success.

//Mixed media
//Blogs

TIFF 2017: 'The Royal Hibiscus Hotel'

// Notes from the Road

"Though a typical rom-com, Ishaya Bako's film is never boring.

READ the article