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Friday, Oct 10, 2014
If you aren't familiar with Hozier, listen to "Take Me to Church" now because his tour is already selling out and he just released his first self-titled album ahead of his Saturday Night Live debut.

Andrew Hozier-Byrne may hail from Ireland but his music owes a large debt to fifties blues and gospel from the United States. If you aren’t already familiar with his music, it would be a good idea to get a head start now because a lot more people will be aware of him after he performs on Saturday Night Live this weekend. For the young artist, this is surely a huge milestone and a very memorable cap to the week during which he released his self-titled debut. In the past year, the 24-year old singer-songwriter had released two EPs, From Eden and Take Me to Church, the latter of which contains the slow-burning title track that helped him break through. Ahead of his performance at this past summer’s Newport Folk Festival, Hozier chatted briefly with us about “Take Me to Church” and its controversial music video.


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Friday, Oct 10, 2014
Ásgeir took a quick stab at PopMatters' 20 Questions before his show at the Music Hall of Williamsburg.

Ásgeir is a rapidly up and coming Icelandic singer-songwriter who has played New York several times in the last year (I first caught his show at CMJ in 2013). He continues to win over fans as visible by the larger and larger venues he has been performing at, and selling out. His recent jaunt in New York included two shows, one at the Bowery Ballroom and one at the Music Hall of Williamsburg. Unfortunately, the crowd wasn’t actually sold out at MHOW but that wasn’t a deterrent from the musician diligently performing his soaring songs.


As before, Ásgeir played a cover of Nirvana’s “Heart Shaped Box” but even more exciting were the Icelandic versions of his songs, like the original “In the Silence”, the stunning “Dýrð í dauðaþögn”. He also included a few non-album songs that kept the audience transfixed especially as the artist remains on the quiet side. The highlight was still his most propulsive, “Torrent”, which he saved for the finale.


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Thursday, Oct 9, 2014
Peter Strickland confirms his reputation as one of contemporary British cinema’s most distinctive talents with a thrilling, immersive love story.

With his “rape-revenge” thriller debut Katalin Varga (2009) and its Giallo-horror tribute follow-up Berberian Sound Studio (2012), Peter Strickland immediately announced himself as one of the more distinctive, and certainly one of the most self-consciously “European”, of contemporary British filmmakers. He’s a cine-literate auteur conversant in arcane as well as popular modes and genres, and one who’s able to twist those modes to his own particular ends.


If neither Katalin Varga nor Berberian Sound Studio came out totally satisfying in the end, both pictures nonetheless demonstrated Strickland to be a daring filmmaker capable of giving the at present fairly conservative British industry a much-needed shake up.


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Tuesday, Oct 7, 2014
After spending summer playing festivals, Danny Brown has beens holed up working on a new record. But that didn't stop him from doing three NYC shows including one at the tiny Sonos Studio.

Last week, Sonos Studio and Pandora presents arranged for pop-up event space at the NeueHouse in New York to feature over a dozen free events and performances (including free booze) for small audiences. Spoon introduced a collaborative art project, Best Coast, Mikky Ekko and The Skins all performed as well as Dev Hynes but he also participated in a Q&A session. On Thursday evening, the “headliner” was Fool’s Gold rapper Danny Brown, who was performing two other shows in New York the same week at Webster Hall and House of Vans, both larger venues. He had spent his summer touring and performing at festivals (including a massive gig at Wembley opening for fellow Detroit resident Eminem).


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Monday, Oct 6, 2014
Our coverage of the 2014 London Film Festival begins with reviews of two mother/daughter-focused dramas: veteran André Téchiné’s French Riviera and Afia Nathaniel’s debut film Dukhtar.

Elements of crime drama, unrequited love story and mother/daughter melodrama add up to an oddity in French Riviera (L’Homme Que L’On Aimait Trop), the latest work from André Téchiné, which reunites the veteran director with one of his actrices fétiches, Catherine Deneuve. Silver-haired here and as subtly compelling as ever, Deneuve plays Renée Le Roux, a casino-owner in ‘70s Nice who’s fending off business propositions from seemingly unscrupulous rivals.


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