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by Anthony Merino

12 May 2015


Dawn Black, Follys Buden 2015 (detail)

“You see, in my trade, this is called—what you did—you cracked out of turn. Huh? You see? You crumbed the play.”
—Character Mike, House of Games, 1987, David Mamet

We crumble the play all the time. This is because the more statements we make about ourselves, the more we never say. Who we present to the world is a balance of subconscious and conscious. The former holds our basic appetites and determines many of our behaviors. It is where the impolite stuff that drives us—lusts, appetites, fears and vanities fester.

by Sachyn Mital

7 May 2015


Unfortunately, it is hard to find a webpage that lists all the performances coming up at the Metropolitan Museum of Art in New York so I have missed many of them. Seeing live music at a museum is an exciting idea but seeing a performance within The Met’s Temple of Dendur is even more exciting. The Met’s April schedule listed jazz legend Charles Lloyd in the Temple of Dendur and the ‘Jazz & Colors’ series (held throughout various galleries) for example. But even in the inspiring and unique setting, you can’t presume an artist will be doing something to take advantage of the atmosphere. Interpol, Glen Hansard and others have performed there but simply drew from their regular repertoire. However, in March, Icelandic composer Jóhann Jóhannsson, along with the choral ensemble Roomful of Teeth and the instrumental American Contemporary Music Ensemble (ACME), created something unique within the Temple.

by Alex Ramon

7 May 2015


Night Train (1959)

Now in its 13th year, London’s Polish Film Festival, Kinoteka, returns to the capital at a moment when international interest in Polish cinema is particularly high, thanks mainly to the critical and commercial success of Pawel Pawlikowski’s Ida, which was honoured first at Gdynia Film Festival back in 2013, then at TIFF and elsewhere, before its recent wins at this year’s BAFTA and Academy Award ceremonies.

by Sachyn Mital

22 Apr 2015


PopMatters writer Jordan Blum caught one of the first stops (in Philadelphia) of Sufjan Stevens tour in support of his 2015 release Carrie and Lowell and covered it for this site. The review from Philadelphia is up here, but we also caught Stevens and opener Cold Specks (supporting her new album Neuroplasticity in Hartford, his first performance in Connecticut, for the fourth night of his tour. Blum wrote, “Not only does his catalog contain some of the most personal, unique, varied, and overall magnificent music of the last 20 years, but the visual accompaniments within the live setting elevate the performance into grippingly tender yet colorful art.”, which should encourage you to go out and catch Stevens while you can. His upcoming tour dates, photos and a couple illicit videos from Hartford are below.

by Greg M. Schwartz

20 Apr 2015


It seemed a bit surreal to think that it had been almost a year since Widespread Panic had concluded their 2014 spring tour with a pair of smokin’ shows at the Orpheum in downtown Los Angeles. Yet not but just over 50 weeks later, they were back at the Orpheum again, with this pair of shows preceding a tour closing weekend in Las Vegas and Phoenix. When things go well, there’s a natural tendency to stick with what’s working, and Widespread Panic at the Orpheum has proven a winning formula.

//Mixed media
//Blogs

Ten Great Criterion Titles: What to Watch and Why

// Short Ends and Leader

"As the Criterion Collection's ever-growing roster shows, there are simply too many great pictures out on home video to know what to do with.

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