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Thursday, May 15, 2014
The Felice Brothers are set to kick off a summer run to promote their forthcoming album Favorite Waitress and stopped into NYC for a small show to road test some new material.

The Felice Brothers will be releasing their new album Favorite Waitress via Dualtone Music Group later this summer but they have already started to kick off the promotional machine with a string of dates in the Carolinas and the UK before a full tour of the US this summer (dates below). Before all that however, the band, Ian Felice, James Felice, Josh Rawson, Greg Farley and David Estabrook, all made the trek a couple hours down from the Catskills for a sold-out show at the Mercury Lounge in New York.

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Wednesday, May 14, 2014
Christopher Taylor, aka SOHN, just released his album Tremors on which he creates skeletal ambient soundscapes that diverge into dark, trippy, soulful submersions.

Christopher Taylor, the musician known as SOHN, has been making a name for himself with productions and remixes for Disclosure, Lana del Rey, BANKS and many others when he released his EP The Wheel. The title track for that EP was included on his well-received new full-length Tremors. London born, SOHN (I think it’s pronounced Sean (like John with an S)) is now based in Vienna but visited New York for two sold out shows, the first of which was at the Bowery Ballroom on a Friday night. The venue was minimally lit by tube lights on the stage, the perfect accompaniment to the dark electronic/dubstep world and atmospheric ‘80s-tinged soundscapes created by SOHN.

Tagged as: mr little jeans, sohn
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Tuesday, May 13, 2014
Manchester lads The 1975 are huge with the youth and are selling out shows around the States including their night at Terminal 5 in New York.

Manchester lads The 1975, are a youthful and entertaining pop band currently performing sold out shows across the United States on their first tour here. Their music is an energetic blend of rock that is at times atmospheric, at times R&B influenced and has similarities to Arctic Monkeys, Maroon 5 and Fall Out Boy. Catchy hooks helped them top the charts in the UK last September but they haven’t made a huge splash over here outside of a certain demographic… the youth. More specifically, young girls, though it is safe to say it is not as awkward a crowd for a male as a Miley Cyrus show. (I did overhear one girl ask a friend what was I doing wearing earplugs at a concert, I don’t think she knew what they were though from her tone.)

Tagged as: manchester, the 1975
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Wednesday, May 7, 2014
Scottish trio Chvrches closed out their tour with three explosive sold out nights at Terminal 5.

Chvrches have exploded onto the music scene in the past year on the back of their sole album The Bones of What You Believe, an extraordinarily strong synth pop debut. The Scottish trio, singer/keyboards Lauren Mayberry, guitarist/keyboards Iain Cook and keyboards/vocalist Martin Doherty have taken every moment in the past year to promote the album it seems, climbing into larger venues and playing in front of bigger crowds. They only performed for about an hour at Terminal 5, but it was one incredibly blinding show filled with huge musical moments and some chat. Mayberry wished everyone a “Happy Star Wars day” in honor of May the 4th and the band pointed out someone in the front with a Star Trek shirt. With every song a hit, its hard to choose a standout moment, but the united breathy vocals in “Night Sky” accentuated Mayberry’s voice even more.

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Monday, May 5, 2014
The man possesses serious chops, but he plays with a great sense of feel and sonic spacing that eludes many guitar shredders. Few guitarists can make every note count like Scofield does.

It was far from a typical night Sunday night at the University of California’s San Diego campus with the John Scofield Uberjam Band in town. The Loft is an on-campus venue with a small stage set in a modern pub atmosphere. But Scofield apparently sold too many tickets for the venue, so the show had to be moved to an adjacent ballroom across the hall.

There was a proficient student jazz band opening the show but no bar inside the ballroom, not to mention no drinks of any kind allowed except for bottled water. Most ticket holders were therefore inclined to idle at the Loft’s bar while waiting for the headliner. The Loft had a heady beer selection that would put some other local venues to shame (such as The Belly Up Tavern, House of Blues and Winston’s Beach Club), and excellent food to boot. It would have been a perfect setting for a show, compared to the featureless ballroom.

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