The music of Hand. Cannot. Erase., the new album by the English musician and producer Steven Wilson, is quite fitting for the big city environment. The record, Wilson’s fourth as a solo artist, is a concept album based off of the disturbing tale of Joyce Carol Vincent, an Englishwoman who was discovered dead in her London flat after two years. Remarkably, no one had missed Vincent during the two years in which her body lay rotting in her apartment; despite having family and friends, she had successfully “erased” herself, to use Wilson’s words, to the point that her presence could go unnoticed for two years. In various interviews for Hand. Cannot. Erase., Wilson points out that if one truly wants to disappear, she should, counterintuitively, go to where there are the most people: the modern metropolis, cities like London, New York City, and, perhaps, even Chicago. About ten minutes before Wilson and his band take to the stage, a projection showing long shots high-rise buildings sets the mood for the two and a half hours of music that follow. The buildings are not unlike the many that dot the nearby Old Town and Lincoln Park neighborhoods.
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The same weekend NPR premiered the stream of Corn, a new posthumous collection from Arthur Russell, the Red Bull Music Academy assembled a live musical tribute to the “great genius” of New York’s ‘80s music scene. Held over two nights at the Brooklyn Academy of Music, “Red Hot + Arthur Russell” featured band leader Stuart Bogie and numerous musicians, including Sam Amidon, Cults, Lonnie Holley, Devonté Hynes, Redding Hunter, Little Scream, Thao Nguyen (of Thao & The Get Down Stay Down), Richard Reed Parry (of Arcade Fire), Rubblebucket, Jake Shears (of Scissor Sisters) and Grey McMurray performing songs from the late, great Russell. Many of those tributes were released as part of the Master Mix compilation from Yep-Roc last year.
Iceland’s Ólafur Arnalds continues to gain renown with his diverse solo and collaborative projects. His For Now I am Winter was well-reviewed, he’s done the soundtrack for the detective drama Broadchurch, and his neo-classical project with Alice Sara Ott, The Chopin Project is one of the most intriguing albums I’ve come across in 2015. Kiasmos, a collaboration with Janus Rasmussen, a member of electro-pop Bloodgroup, is a project that began in 2009. But the duo only released their first full-length album last year. Though I didn’t discover it till this year, I was fortunate enough to catch Kiasmos in New York on a rare tour—one that will wrap up soon with a couple California shows before a few European dates (listed below).
Radio 104.5 in Philadelphia celebrated their 8th birthday with an awesome lineup of bands. Specifically, Of Monsters and Men, Death Cab For Cutie, Hozier, Passion Pit, Walk the Moon, AWOLNATION, Vance Joy, Coasts, Meg Myers, X Ambassadors, Night Riots, Holychild and Andorra. Held just outside Philly in Camden, the day-long festival was packed with people, with those furthest from the stage, on the lawn, enjoying an incredible early summer day. The event felt like the unofficial start of the summer festival season in the Northeast with a variety of different kinds of music across two stages. In the Northeast, people now have many other events to look forward to including Radio 104.5’s Summer Block Party shows, Boston Calling, Governors Ball, The Roots Picnic, Newport Folk Festival, Wilco’s Solid Sound Fest and many, many more.
On the second stage, we caught fast-rising rock band, X Ambassadors, and promising new singer Meg Myers. On the main stage, dance pop acts Walk the Moon and Passion Pit, supporting their new album, Kindred, led into rock music from Hozier. A lot of people left following Hozier’s set but the lawn still appeared packed for Death Cab for Cutie and the final band, Of Monsters and Men, who are about to release a new album Beneath the Skin. Photos from the event are below with a larger gallery on Facebook as well as some video clips we found.
The core of Brooklyn-based Secret Weapons is comprised of friends Danny and Gerry. The outgoing pair “are making their ascent into the judicious arena of noteworthy pop/dance music. In a genre that is by and large, a tricky animal to command, the band manages to instill promise into an often times, abysmal market”, as Pancakes and Whiskey noted in their interview. I too was hanging out ahead of the band’s April 25th show headlining Rough Trade. I was there capturing a few shots of the band sound-checking and hanging out as I intended to stay for their set. The buzz was their live shows are a lot of fun and that Secret Weapons do wild after-parties (which I did not actually go to). Their set was short (no more than eight songs) as they are just over a year old and still working on their material but the audience was enjoying every minute. I could definitely see their potential, as they’ve got a pop-friendly dance sound that reminded me of other Brooklyn bands like Wolf Colony or Little Daylight.
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"What a time they had, Charlie and Rosie. They'll never lack for stories to tell their grandchildren. And what a time we had at Double Take discussing the spiritual and romantic journey of the African Queen.READ the article