Björk, along with collaborator Arca, is currently nearing the end of a series of shows in New York City in support of her latest album, Vulnicura. After a couple of nights at Carnegie Hall and a couple at the new Brooklyn venue King’s Theater, Björk will wrap up the mini-residency at NY City Center (two performances remain). So far, every night has featured almost the entirety of Björk’s latest album Vulnicura, a breakup record, with the addition of the Alarm Will Sound string ensemble and Manu Delago on percussion. Although I had never seen Björk before, I know she’s a cutting edge artist on many levels—visually, fashionably, sonically. So it was no surprise to see some of her fans have a unique fashion sense of their own. Of course, their attire couldn’t be topped by Björk’s own—she had donned a unique spiky headdress from designer Maiko Takeda for the first half of her performance.
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Andrew Hozier-Byrne has been touring pretty much constantly since the summer in support of his breakthrough self-titled debut album, propelled by lead single “Take Me to Church” (that song with all those “amens”). His current string of US dates climaxed with a show at the Hammerstein Ballroom in New York City, where Hozier humbly thanked everyone in his band, touring crew and the audience for all the work and dedication. The front row was packed with screaming young female fans but the sold-out venue was packed with wild fans of all ages, proof that Hozier has a huge following. In fact, the venue appeared pretty full already before the opener, George Ezra, who is also experiencing a quick-rising music career, even took stage. Ezra explained how he created his debut album Wanted on Voyage while trekking across Europe with a Eurail pass. That story helped explain some of his song titles, like “Barcelona” or for his biggest song, “Budapest”. His brief set was very well received by the crowd and he’s someone I would check out again (he has a solo headlining tour beginning in April).
Keyboardist Marco Benevento has been on quite a roll over the past decade. He first came to fame as half of the Benevento/Russo Duo with drummer Joe Russo, with the pair earning acclaim for their improvisational jams that produced a sonic storm that felt like way more than the sum of merely two musicians. Benevento’s multi-dimensional sound was and remains a key factor, mixing analog keys and acoustic piano with psychedelic synths in diverse fashion.
If it’s early March, it must be time for New Orleans funk rockers Galactic to hit the west coast. So it was once again as the band wrapped their 2015 winter tour with their annual San Diego-Los Angeles-San Francisco run. And why not? The vernal equinox season springs early in California, making it a strategic time for bands from back east to visit and enjoy the balmy climate.
Little Daylight‘s Hello Memory is one of the more memorable pop albums to come my way in 2014 and it is one I find myself listening to more often than other favorites from last year. Their electro-pop is effervescent, highly infectious and danceable. The Brooklyn trio were opening for Jukebox the Ghost, a relocated-to-Brooklyn trio, on a recent string of dates (some are still coming up) and both performed in Connecticut for an all ages show on the second to last night in a cold, cold February. Jukebox the Ghost‘s own brand of piano-pop has made them a rising star as of late. Their 2014 self-titled release was initially out on Yep Roc Records but the band has since been signed to Cherrytree Records (home to Sting and Feist amongst others) and are planning to re-release the album in the near future. Together, in the Hat Capital of the World, the two bands, along with Secret Someones (minus their drummer) gave the youthful audience a memorable show.