Though jazz trio the Bad Plus have made a name for themselves playing innovative covers of popular music (i.e. Radiohead’s “Karma Police” and Nirvana’s “Smells Like Teen Spirit”) such tunes are merely a drop in their sea of sounds. Wednesday’s early set at New York’s hallowed Blue Note found the group—that is, Ethan Iverson, piano; Reid Anderson, bass; and Dave King, drums—in their element and exploring all aspects of their original compositions.
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On tour to promote his new album, True Devotion, it was Votolato’s first visit to Toronto since 2007. The Texas-born singer explained that since his last visit he had been on “a spiritual journey” to find himself and get back to what mattered most: the music. True Devotion is the product of that journey.
As Bonobo, Simon Green’s primarily electronic compositions have won critical praise. However, on this latest tour, they’ve been seamlessly translated to the live stage as Green is backed by a band of talented multi-instrumentalists. Opening up with new songs, like “Kiara” and “Kong”, it became evident that everyone on hand was already well versed in the new material, which had only been circulating for a few weeks now. But of course we can’t forget the throwback classics, specifically “Noctuary” and “Days to Come”, which have now been perfected by Bonobo and his band.
It’s Saturday night at The Phoenix Concert Theatre and I’m ready to see Miike Snow. Having covered countless shows at this venue without an incident, I arrived at 8 PM for doors (per the venue’s website) unconcerned. Imagine my surprise when there was no one in line outside. Steeping through the doors, panic set in as I heard the instantly recognizable music of Miike Snow coming from inside the club. I was informed by staff that doors were in fact at 6 PM ,because of the long-weekend, and that Miike Snow had taken the stage at 7:30 PM. Subject to the usual three-song photo limit, I had obviously missed it and I would not be allowed to take pictures. In fact if I wanted to enter, I would have had to check my camera. Deflated, I left to the continuing sounds of Miike Snow.
Philadelphia shoegazers A Sunny Day In Glasgow played Friday night at The Garrison. I really liked the band’s recent release, Nitetime Rainbows EP, so I was anxious to hear how their moody strings and keyboards would translate live. Doors at The Garrison were scheduled to open at 8 PM. Considering I had never been to the venue and recent reviews had described it as one of Toronto’s new spots in the “hipper” west side, I arrived at 8 PM to ensure I would get a good spot to shoot from. The place was completely empty. Most of the chairs were still stacked in the corner and the screeching of guitars and mad drumming could be heard as sound check just got underway. A bartender appeared a few minutes later and informed me doors were at 9:00 PM.
// Moving Pixels
"Virginia manages to have an exposition dump without wordy exposition.READ the article