The same weekend NPR premiered the stream of Corn, a new posthumous collection from Arthur Russell, the Red Bull Music Academy assembled a live musical tribute to the “great genius” of New York’s ‘80s music scene. Held over two nights at the Brooklyn Academy of Music, “Red Hot + Arthur Russell” featured band leader Stuart Bogie and numerous musicians, including Sam Amidon, Cults, Lonnie Holley, Devonté Hynes, Redding Hunter, Little Scream, Thao Nguyen (of Thao & The Get Down Stay Down), Richard Reed Parry (of Arcade Fire), Rubblebucket, Jake Shears (of Scissor Sisters) and Grey McMurray performing songs from the late, great Russell. Many of those tributes were released as part of the Master Mix compilation from Yep-Roc last year.
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Mavis Staples and the Flaming Lips were among the lineup for the 2015 Nelsonville Music Festival, an annual four-day event produced by Stuart’s Opera House, “a historic, non-profit theater located in Nelsonville [Ohio]”. Both acts returned to the festival after previous appearances in recent years. The Flaming Lips performed a memorable show in 2011, and Staples began to perform in 2013 before her set was interrupted by a thunderstorm. That both artists were interested in another visit to Nelsonville is a testament to the quality of the festival and its growing reputation as a place for music and art enthusiasts to enjoy eclectic programming.
Radio 104.5 in Philadelphia celebrated their 8th birthday with an awesome lineup of bands. Specifically, Of Monsters and Men, Death Cab For Cutie, Hozier, Passion Pit, Walk the Moon, AWOLNATION, Vance Joy, Coasts, Meg Myers, X Ambassadors, Night Riots, Holychild and Andorra. Held just outside Philly in Camden, the day-long festival was packed with people, with those furthest from the stage, on the lawn, enjoying an incredible early summer day. The event felt like the unofficial start of the summer festival season in the Northeast with a variety of different kinds of music across two stages. In the Northeast, people now have many other events to look forward to including Radio 104.5’s Summer Block Party shows, Boston Calling, Governors Ball, The Roots Picnic, Newport Folk Festival, Wilco’s Solid Sound Fest and many, many more.
On the second stage, we caught fast-rising rock band, X Ambassadors, and promising new singer Meg Myers. On the main stage, dance pop acts Walk the Moon and Passion Pit, supporting their new album, Kindred, led into rock music from Hozier. A lot of people left following Hozier’s set but the lawn still appeared packed for Death Cab for Cutie and the final band, Of Monsters and Men, who are about to release a new album Beneath the Skin. Photos from the event are below with a larger gallery on Facebook as well as some video clips we found.
When Tahliah Barnett, aka FKA twigs, performs, she doesn’t require super elaborate stage setups to fix the audience’s gaze. Her wild dance moves, her seductive yet fashionable attire and her synchronized light show command attention. However, her ambitious ‘Congregata’ show, which premiered in London earlier this year, is ten times as wild as her regular show. ‘Congregata’ was brought to New York City for three sold-out nights as part of the Red Bull Music Academy month-long series of events. Taking place at the Brooklyn Hangar, ‘Congregata’ was a hot, sweaty show, and not just for the dancers. The warehouse was downright swampy before the show event began. But for those in attendance, the show was a wild mix of dancers (including Leiomy Maldonado), powerful lights, ornate costumes and of course, FKA twigs in full force, all choreographed with precision to create a two-hour long epic event. There wasn’t even a scheduled break for twigs to talk with the audience, though she did share some genuine love for her family and friends once it was over. With all the flash, it was possible to lose track of the musical progression, which varied through twig’s released material and some other instrumental fillers. But at the cohesive peaks, ‘Congregata’ is a stunning performance inspired by all that FKA twigs is and does and one that promises even greater theatrical and musical endeavors will come.
When exiting Webster Hall after Faith No More’s show on May 13th, I noticed spots of blood on the stairs. I didn’t see what happened, but imagined two dudes in black t-shirts getting into an argument and then getting rough enough to draw blood. They should have remembered the music is pounding enough. While I had arrived at the venue dressed casually as I would for almost any show, apparently black was the recommended attire. The color marked those who were hardcore fans; those people there to see the band they first loved decades ago.
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