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by Anthony Merino

12 May 2015

Dawn Black, Follys Buden 2015 (detail)

“You see, in my trade, this is called—what you did—you cracked out of turn. Huh? You see? You crumbed the play.”
—Character Mike, House of Games, 1987, David Mamet

We crumble the play all the time. This is because the more statements we make about ourselves, the more we never say. Who we present to the world is a balance of subconscious and conscious. The former holds our basic appetites and determines many of our behaviors. It is where the impolite stuff that drives us—lusts, appetites, fears and vanities fester.

by Sachyn Mital

7 May 2015

Unfortunately, it is hard to find a webpage that lists all the performances coming up at the Metropolitan Museum of Art in New York so I have missed many of them. Seeing live music at a museum is an exciting idea but seeing a performance within The Met’s Temple of Dendur is even more exciting. The Met’s April schedule listed jazz legend Charles Lloyd in the Temple of Dendur and the ‘Jazz & Colors’ series (held throughout various galleries) for example. But even in the inspiring and unique setting, you can’t presume an artist will be doing something to take advantage of the atmosphere. Interpol, Glen Hansard and others have performed there but simply drew from their regular repertoire. However, in March, Icelandic composer Jóhann Jóhannsson, along with the choral ensemble Roomful of Teeth and the instrumental American Contemporary Music Ensemble (ACME), created something unique within the Temple.

by Anthony Merino

22 Jan 2015

Australian video artist Angelica Mesiti examined the conflict between private space and public performance in Citizens Band, an installation comprised of four projected videos at the Williams College Museum of Art, Williamstown, Massachusettes, 24 October 2014—4 January 2015. Four projected videos comprised the exhibition; each showed a musician performing in a public or semi-public space. All of the performers were displaced. They performed works from their homeland in their adopted countries; Cameroon, Algeria, Mongolia and Sudan. They migrated to large cities like Paris, Sydney and Brisbane.

by Sachyn Mital

10 Dec 2014

Last year around Thanksgiving time, I was visiting Japan. I didn’t attend any kabuki or any noh performances nor did I check out any music (though Paul McCartney played there days before I arrived). I did however check out something that does translate well, giant robots. It’s not just that I’m not familiar with many Japanese bands, though few if any cross over into the US market, it’s that those theater productions are often lengthy which makes it difficult to approach (which section of the performance should I see?) and, in this case, the instrumental music doesn’t have a specific rhythm or catchy chorus for one to grasp onto. So I didn’t risk a show in Tokyo, but I was lucky to catch a rare and masterful set of shamisen performances in New York at the Japan Society.

by Sachyn Mital

21 Oct 2014

Just outside the convention floor, DC Comics was celebrating the 75th anniversary of Batman with a showcase of costumes while the US Postal Service was selling a limited print of stamps honoring the Caped Crusader. But for several blocks around the Javits Center, superheroes like the Caped Crusader, supervillians, video game characters and cosplayers descended upon the 2014 New York Comic Con to share their fandom and enjoy the company of like-minded folks. Attendees wore spandex, painted their hair, crafted cardboard weapons and masks and basically tried to differentiate themselves from the twenty plus other Spiderman or Harley Quinn variations that were around. Some people, like Doc Ock, struggled to make their way around the convention floor given the width of their appendages especially in the areas where fans were lined up in droves, like those gathered well in advance of the appointed time for famous cosplayer Jessica Nigri’s appearance. Then there were those who planned collective costumes with their friends, like the Tetrominos or the Batman villians or the LEGO Marvel characters. Check out some photos of the cosplayers below and see why NYCC is a blast to attend.

//Mixed media

Con Brio: The Best New Live Band in America?

// Notes from the Road

"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.

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