Latest Blog Posts

by Thomas Hauner

5 May 2009


King Khan was the sovereign and the audience his court, just as one would suspect. Notorious for his stage antics and backing himself with the controlled chaos of a garage-inspired eight-piece funk outfit (his Shrines), dancing cheerleader, roller-skating geriatric hype-man, and any other member of the audience with the conviction to share the spotlight in various stages of undress, King Khan unleashed a riotous set at the Music Hall of Williamsburg. Yet, unlike my last King Khan and the Shrines experience, the result was relatively tame by comparison—and not for Mr. Khan’s lack of wanting.

 

by Thomas Hauner

27 Apr 2009


This night found Messieurs James Ford and Jas Shaw bringing their British brand of minimalist electronica to the Highline. Though their ascent, and hype, in the electronica scene has paralleled that of French duo Justice (they also like to remix each other and release albums on the same day while sounding completely different), they are decidedly geeky and focused in concert, eschewing the rock-star pranks the Parisians flaunt so effortlessly.

 

by Kevin Ott

26 Apr 2009


If Saturday, April 18th unfolded as beautifully sunny and spring-like as it did in Cincinnati, and the rest of the over 700 independent record stores in the USA were as crowded and vibrant as Shake It Records on Record Store Day, then there is good reason for optimism in the industry. By “industry”, I don’t mean the broad definition of the music industry, but instead, the small-but-no-longer-practically-obsolete corner of the world frequented by the true music junkies and ephemera aficionados—the jumbled and cramped old storefront operations that are packed with racks of CDs and vinyl, old and new, obscure and popular.

 

by Mehan Jayasuriya

20 Apr 2009


This past week, I spent my Easter Sunday at the Black Cat with the Wooden Birds, the latest project from American Analog Set frontman Andrew Kenny. AnAmSet fans will feel right at home with the Wooden Birds, as the band finds Kenny marrying his hushed delivery with dulcet tones and understated arrangements yet again. That’s not to say, however, that the Wooden Birds are just the American Analog Set with different players. Longtime fans will notice that Kenny’s latest vehicle favors acoustic over electric instrumentation and has a more rhythm-heavy bent (nearly every one of the band’s songs features maracas and tambourine).

by Jayson Harsin

10 Apr 2009


I like Mecanique Ondulatoire, the venue where I saw the ascendant fuzz rock royalty A Place to Bury Strangers, but by most standards – with just a 150-person capacity—it is too small for this band. (APTBS played Paris last November in the Nouveau Casino, a 400-person capacity venue.) Descending into its basement concert lair, the Mecanique Ondulatoire, with its arched form of huge sand-colored rectangular stones, looks like a medieval torture chamber. And with a sardine-packed sold out crowd inside, the venue is more a closed-off tunnel than a room.

 

//Mixed media
//Blogs

Ten Great Criterion Titles: What to Watch and Why

// Short Ends and Leader

"As the Criterion Collection's ever-growing roster shows, there are simply too many great pictures out on home video to know what to do with.

READ the article