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There are many frontmen of once awe inspiring bands that are now defunct who could learn quite a bit from Rob Dickinson. Though he has released a solo album—2005’s Fresh Wine for the Horses—he’s well aware that most people want to hear songs from his Catherine Wheel days. This fact means his fans are hopelessly devoted to seeing him live (he was even given flowers at this show!), and though it may not be the same as seeing an actual Catherine Wheel reunion, it’s the closest most of us will get to this perfection.
PopMatters attends a Balkan wedding – and funeral…
It’s a perfect summer evening for a Balkan wedding—breezy, a light coolness to the air floating just above the silky warmth of summer brushing lightly against our bare skin. Ideal weather, too, for a funeral. Either occasion is fine with us, as both call for plenty of ‘Alkohol’ and the communal feeling it evokes.
In the company of Serbian, Russian, and Polish-speaking people we stroll the meticulous grounds and enjoy the polished staff at Ravinia, anticipating the arrival of Goran Bregović & His Wedding and Funeral Orchestra. We see three, perhaps even four generations enjoying picnics in their familial clusters. It’s a good-looking crowd, dressy even in casual attire—some dolled up just short of formal.
Anyone even remotely familiar with the British music scene of the 1990s might have heard of Adam Franklin who played an instrumental role in Swervedriver, a band that teetered around the shoegaze movement with a slightly more aggressive sound than many groups in the genre. If bands like Slowdive provided the dream pop lullabies, Swervedriver recalled the most visceral points in any live My Bloody Valentine set.