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by Alex Ramon

22 Sep 2014


In Michał Otłowski’s Waterline  (Jeziorak), Jowita Budnik plays Iza Deren, a no-nonsense policewoman who’s investigating a girl’s death. The decidedly put-upon Iza has more than this case on her plate, unfortunately.

She’s pregnant, for one, and the father of the twins she’s expecting has disappeared under mysterious circumstances with another police colleague. Meanwhile, the investigation turns up some long-buried secrets from Iza’s own past.

by Alex Ramon

19 Sep 2014


As demonstrated by the recent success of films as diverse as In Darkness (2011), Aftermath (2012) and Ida (2013) (to name but three), Poland’s turbulent and often traumatic history remains a topic of great concern for contemporary filmmakers. This interest is evident again in a large number of the films screening at Gdynia this year, of which Jerzy Stuhr’s picaresque comedy, The Citizen (Obywatel), must rank as one of the most curious.

by Alex Ramon

18 Sep 2014


The insistent sound of a ringing telephone is the first thing to be heard in Anna Kazejak’s The Word (Obietnica), which opens pretty much in medias res, thrusting the viewer right into the fraught relationship between two teenagers, Lila (Eliza Rycembel) and Janek (Mateusz Więcławek).

The significance of the sound becomes apparent as the movie progresses, since communication (and, in particular, the way in which teens communicate with each other) is one of Kazejak’s concerns in this, her second feature following 2010’s Flying Pigs. The text messages, Facebook posts and Skype chats that the characters indulge in throughout the film gain greater significance when a murder gets committed and such communications become evidence in the ensuing investigation.

by Alex Ramon

17 Sep 2014


Founded in 1974 and now in its 39th year (two were lost to the imposition of martial law in the early ‘80s) the Gdynia Film Festival (15-20 September 2014) is the oldest and most prestigious event in the Polish film calendar, and one of the primary showcases for national cinema. (Recent winners include Agnieska Holland’s In Darkness [2012] and, last year, Pawel Pawlikowski’s Ida.)

The range of movies, events, exhibitions and workshops that the festival offers clearly plays a large part in that reputation, while its blissful location in the gorgeous Gdynia (the northern seaside locale that’s part of the so-called “Tri-City”, or “Trójmiasto”, alongside Gdansk and Sopot) doesn’t hurt, either. As a first-time attendee, I’ve been struck over the last couple of days by the festival’s excellent organisation and welcoming atmosphere, and by the richness of its programming which offers a sometimes overwhelming choice of things to do and see.

by Sachyn Mital

21 Apr 2014


The official summary of The Canal is a bit inaccurate and may spoil a part of the film (official description here). So I thought to create a revision (using some of the same language): A film-archivist views footage turn-of-the-century news report about a man who slaughters his family in his present-day home. When David’s marriage dissipates in a flash, the ghostly murderer rises from the murky waters, casting David’s life into an unfortunate downward spiral that threatens the lives of everyone around him.

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'Staircase' Is Gay in a Melancholy Way

// Short Ends and Leader

"Unfairly cast aside as tasteless during its time for its depiction of homosexuality, Staircase is a serious film in need of a second critical appraisal.

READ the article